A Quote by Miriam Shor
I am always living in the now, so I like what fate brings to you. That's always fun for me. To have a process and someone be like, 'How about this?' And you just grab onto that and see where it takes you.
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People still call me ma’am on the phone, and it’s just part of life now. I’m not even phased by it… Going through DriveThrus is always fun, because it’s always so shocking when they see me. It’d just be kind of like, ‘Thank you ma… woah!! Woah, sorry about that!’
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
I like making fun of myself a lot. I like being made fun of, too. I've always enjoyed it. There's just something really, really funny about someone tearing into me.
Happiness is like water. We’re always trying to grab onto it, but it’s always slipping between our fingers
Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens.
It's like one of those dreams you have when someone is chasing you. You're running as fast as you can, and someone's trotting behind you, just out of range, trying to grab onto you.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
My father always told me I like the ball more than I like playing soccer: since I was a young kid, I was always skilled with it, dribbling furniture around the house. That's how I see football - fun and dynamic - and this goes beyond me; it's a characteristic of Brazilian football.
That's always disappointed me, to see a guy in the crowd who doesn't look like he's having fun but in general if you just listen to the crowd it sounds like they're having fun. So I don't want to focus on the one guy who's not having fun. And by closing my eyes and just listening, I can't hear that he's not laughing but I can see that he's not laughing.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual, and that works so much better than having someone tell me what the character is all about.
I could just sit back and get someone to spin my achievements, I suppose, but when I see others do it, I always think, 'Why are you telling me how successful you are?' I am always suspicious of those kinds of boasts.
The old sergeant from headquarters treats me like a son and takes the greatest pride in whatever I do or write. He regularly assigns me now to certain doors, and I always obey orders like the little gentleman that I am.
I've always felt like I was observing everything, like I'm just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
I always like to say, I am to most phenomenal thing that touched men kind...lol, lol. Yeeaa Men.. Besides that, I don't eat a lot; I don't eat a lot of carbohydrates. I am just naturally big like this, that's all. That's just something I do, if people see me on stage they are always like "man, that dude is huge". I mean I am in a good shape, I don't drink or smoke, so there are a lot of things I don't do.
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