A Quote by Miriam Toews

David Bergen is a master of taut, spare prose that's both erotic and hypnotic. . . . — © Miriam Toews
David Bergen is a master of taut, spare prose that's both erotic and hypnotic. . . .
Once again...Rick Bass draws us into his magical human worlds, rendered urgently by a hypnotic prose that tracks a parallel and untamed natural world, often with a trace of loss and always patrolled by unmistakable decency. He is a master of this form.
Good prose almost always requires both showing and telling, scenes and summary, the two basic components of creative prose.
Finger-picking, in general, is a hypnotic thing. I feel like I'm more A.D.D. all the time, so the music has to be hypnotic.
Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way. Harvey's taut plot, snappy prose, and memorable characters make this debut novel a real winner.
When I was editor of the Erotic Review I fielded endless phone calls from elderly readers who thought I might like to pop round in my spare time and thrash them
A fragrance is like a dress, an expression of personality. It can be both erotic or powerful, or both, but it always combines femininity and sensuality.
The simple Wordsworth . . . / Who, both by precept and example, shows / That prose is verse, and verse is merely prose.
In the books by Ruy-Sanchez we find again the erotic conviction that allows us to read with all the skin. The erotic, in his narratives is not a subject or a phrase, it is the clay of what they are made. In his novels every experience, trivial or extraordinary, breaths through the erotic.
The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography.
I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.
Chad Michael Ward is a master of the storytelling craft. His imagery, both still and moving, reaches deep into the darkest corners of the mind, combining the macabre and the sensuous Revealing humanity's secret daydream atrocities. CMW taps into our most excitable of emotions with a blend of fear and human sexuality. Like an erotic car accident we can not look away from.
The sun glistened on a drop of water as it fell from his hand to his knee. David wiped it off, but it left no tidemark: there was no more dirt to rub away. He took a deep breath and shivered. He was David. Everything else was washed away, the camp, its smell, its touch--and now he was David, his own master, free--free as long as he could remain so.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
With 'Innerspeaker' I was trying to do these hypnotic '60s grooves, but it was so hypnotic and repetitive that they sounded like they were sampled. It was making electronic sampled music but using real instruments to do it.
I've always felt that poetry was particularly erotic, more than prose was... I say that you read poems not with your eyes and not with your ears, but with your mouth. You taste it.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
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