A Quote by Mirko Cro Cop
I was training in an old garage - just a roof. And when its snowed, it would cover the floor, so I would have to clear this first. I didn't have a punch bag. There was no place to buy it, so I managed to get a speed ball, but it didn't have the swivel mechanism, so I just nailed it to the ceiling and started kicking.
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When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.
I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
When I first started rapping, when I switched my style to more like a punch line style - this is when I'm like 13 years old - and I switched it to this real wordy - I was trying to rap like Canibus and like Eminem. It was real lyrical, real wordy and punch lines and, when I would come up with these punch lines and spit 'em in these cyphers, the minute the cyphers would be like, "Ohhh" and everybody would break away, it was a new feeling for me. It was like, "Oh, yo, you see what I just did?" I was addicted to that feeling, and I still love that feeling.
My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.
I was born singing. My father tells this story about when I was 3 weeks old, how I would rock in the crib and sing in the crib all night long. My crib would roll across the floor in the middle of the night. Finally, my father nailed its legs to the floor.
I didn't feel that running away would change anything but when the roof of the garage started coming off I thought it was time to go.
When I was first started, when I was eighteen, I wrestled for a company that had a very hardcore fanbase and demanded a lot from its wrestlers. So, every single match, I would do every move possible. I would land on the concrete floor; I would land really high on my head just to try to impress the fans.
We differ in our speed. My brother always had more power than I did in the amateurs. He would punch for power and I would punch for speed. But as we turned pro and we developed with each other, we became more alike. I use a little more power now than I used to.
I need to be able to be at a gig and just put my bag on the floor and not worry about it being stood on or getting ruined. You want a bag that can go through anything. And a little bit of softness is always lovely. If I don't have a dog, I can just pet my bag!
When Japanese went to Hawaii they would go straight and buy the same thing that they would buy in Japan. They just got it cheaper, which they liked. And so they would still eat the red bean ice cream or the green tea ice cream, but they didn't really take advantage of the variety and it wasn't clear that they cared.
I was training at Killer Kowalski's old place, and at that time it was the Chaotic Training Center but now it is the New England Training Academy, but we were kind of the feeding ground. Anytime WWE was in the northeast area that is who they would call. They would call them for extra talent.
Endurance training is so mental. You just do it. You just can, and you just will, and you just run that far because, you know, I get tired at the first mile. I feel heavy and all of those things, but now I have developed, it's hard to explain... It's a very satisfying place to get into.
One of my friends, Bruno Andrade, was so quick, he just used to knock the ball past whoever he was playing against, and I thought, 'Why can't I do that?' Until then, I would try to dribble and maybe try a stepover, but Andre would just knock it then - beep, beep - and he was so fast, he would get there first.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
If I wasn't in broadcasting I would like to grow a gigantic beard; and I would like to open a motorcycle garage somewhere in the desert in Nevada and I would disappear and work on bikes, make them really fast. I would love to just race motorcycles for a living if I could do it, but I'm just not that good at it so this is what I'm doing.
Growing up in the hot Last Vegas desert, all I wanted was to be free. I would daydream about traveling the world, living in a place where it snowed, and I would picture all of the stories that I would go on to tell.
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