A Quote by Miroslav Vitous

So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore.
Now that I am gaining more and more experience and getting more and more confident playing against these top-level players, I am definitely not starstruck anymore.
I know it is crazy, every time I release something now people say I am becoming more rough and tough. I guess my direction has been changing, I think this new album is a better reflection of who I am as an artist and as a person, I have changed a lot since the Boyzone days.
One thing that I believe is that every time I write something, I am taking the time to celebrate. Even if I am writing a sad story or an angry poem, I am still giving those stories my time and attention.
Each day is a miracle that intoxicates me. I want more. I greet every morning like a new pleasure. And yet I am keenly aware of all life's artifices. Getting dressed, wearing make-up, laughing, having fun-isn't all that just playing a role? Am I not more profound, carrying the burden of those twenty years when I 'wasn't alive', than all those who rushed around in vain during that time?
I am not here for me I am not here to promote my ego I am here to serve the Great Spirit To be a voice for those afraid to speak To be movement for those who are stuck I am here to reveal a mystery To learn something new about myself
You could say, 'Oh, we're gonna write the heaviest album of all time' or 'We're gonna write an album that sounds like 'Iowa.'' Even if we set out to try to do so, it would never compare. We're not those people anymore, we're not that band anymore.
We are about creating a new wave of talent. We are the Manchester United of kitchens now. Am I playing full-time in the kitchen? I am a player-coach.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything.
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
Every time I score the passion comes out and I try to relay that back to the fans and to the players and the staff how grateful I am to be playing for such a good football club. The fans have taken well to me. I am part of the furniture at Everton, but I don't take it for granted.
It's just that back then we didn't know that was considered being a coproducer. I would sit on the side and say what I wanted musically, but at the time we thought if you aren't the one playing it, you don't get the credit. Now you'll start seeing my name listed as producer.
I am stronger than words and I am bigger than the box I'm in, and then I see her in the crowd and I fall apart -I am listening and I am listening because what I'm playing isn't something I'm thinking about, it's something I'm feeling all over.
'The White Album' is a record I can go back to time and time again, and always find something different that I never noticed or appreciated before.
Being a female guitar player back in school wasn't great, and I had to change schools so many times. The male drummers and bass players thought it was cool, but male guitar players said, 'It's a guy's thing. You should be doing something else, like playing the harp.'
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