A Quote by Miroslav Vitous

I actually met Chick Corea in New York, where I was staying with a bass player friend. — © Miroslav Vitous
I actually met Chick Corea in New York, where I was staying with a bass player friend.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
I want an audience that we might call a pop audience. Cross over to pop. Cross over to R&B. And bring those people to Brubeck and Chick Corea, you dig? A lot of people found Dave Brubeck and Chick Corea because they came to hear 'We're in This Love Together' and 'After All.'
Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.
Chick Corea was a great influence on me, musically, as I was growing up.
'Mortal Kombat,' the first arcade one, that soundtrack sounds like a Chick Corea album.
I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.
Dominicus Corea had a posthumous son, Lewis Corea who became the Dissawe of Uva. Sir Paul Peiris wrote that `With the disappearance of Dominicus Corea, came a short lull in military operations of which the Portuguese officials availed themselves to give free rein to that rapacity which so frequently disgraced their careers in the East'. Dominicus Corea was succeeded by his brother Simon, as Dissawe of the Sat Korale, Kotte and Sitawaka.
I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.
Luther Vandross and I met in Roberta Flack's band. He was singing background, I was playing bass, and Roberta was beautiful. She's like the mom to all these young musicians in New York. At that time that I met Luther, I was a musician snob. For me, the singers were just the people out in the front to keep the audience entertained. While the musicians did the real work.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
I actually like south Florida. I never lived in a more interesting place than this. I've never met a wider range of people. I guess when I came here I thought there were Cubans and then there were people from New York and that was Miami. Now I know that it's Cubans, people from New York, and some people from New Jersey.
I met my new partner [in Indiana] and she asked if I wanted to move out of New York. I said yeah, and we got a house that's way cheaper than renting a closet in New York.
I came to New York City as a player, so my objective is to take the team as high as possible, preferably to victory. If that helps Major League Soccer grow, then that's welcome, too, but I was signed as a New York City FC player and to do what's best for the team.
I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.
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