A Quote by Miroslav Vitous

I am more of a solo bass player and he needed somebody who would keep the role. — © Miroslav Vitous
I am more of a solo bass player and he needed somebody who would keep the role.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
To me to be a solo artist means I can do so many new and exciting things and I feel very strongly that one must evolve and grow. I love being a bass player and I feel really good that I was able to spend a focused chapter defining that role, but I'm not someone that likes being in the same role forever.
Traditionally, the role of the bass player was just to keep things simple and solid, so it's really a special thing when you can get a player that can actually bring in a lot of presence and also a visual presence, too.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
I wasn't allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were canceled unless I would substitute my black bass player for my old white bass player, which I wouldn't do.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.
As I said, when we needed to move over to rock'n'roll, Sam and Vernon couldn't quite make the shift. So that's when Larry took over on drums, and we needed a bass player.
I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
The thing I like to do when I'm making records is to keep it exciting, as opposed to, 'There's a bass player, guitar player... ' Just a little variety.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
Introvert conversations are like jazz. Each player gets to solo for a nice stretch before the other player comes in and does his solo.
I've always been the DJ or the bass player or the drummer, somebody in the background. I don't think anybody who knows me personally would say that I'm particularly shy or introverted, but I'm definitely not like Mr. Attention.
I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.
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