A Quote by Miroslav Vitous

They taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer.
They [the teachers at European conservatories] taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer.
I've always had money because of my early success with Cream, so I tell young musicians to aim to write their own material, because owning the composition rights makes a very big difference.
I suppose musicians have the kind of arrogant attitude that they can actually offer the world something, because through their passive power, they're able to be the strongest arms that they can be, incredibly strong. That's what keeps us going.
Sometimes people offer you plays, they offer you parts, but they only offer it because I'm famous.
I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.
There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I arrived back in Argentina and a week after I had the offer from Arsenal. They called my agent and my family and I thought it was all about signing a new contract for my club in Argentina because they wanted to offer me one at the time, but it was actually to sign for Arsenal.
You probably became a musicians because you're into it so stay that way. Don't believe that someone else has the golden ticket for you because they don't.
To you, W. B. Yeats, good praiser, wholesome dispraiser, heavy-handed judge, open-handed helper of us all, I offer a play of my plays for every night of the week, because you like them, and because you have taught me my trade.
My voice doesn't sound like anyone else's. I wanted to sound like my favorite singers when I was young because when you're young you don't put much value on uniqueness. But later I realized I had something special to offer.
All of them had so much to offer us as far as, you know, knowledge in the music industry, and especially Randy and Paula because, you know, they've been artists.
Mental pictures offer us an opportunity to practice new traits and attitudes, which otherwise we could not do. This is possible because again - your nervous system cannot tell the difference between an actual experience and one that is vividly imagined.
Just checking up on someone with a, 'Hey, how are you doing?' usually means the most to someone. I try my best to regularly check in with friends who are musicians just because I know we go through things where we feel like people only hit us up because they need something from us like a verse or a promo.
You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged.
One of the reasons I wanted to start a company is because I wanted an environment that I wanted to work in. I wanted people to be able to have a life - for it to be OK to leave for a lacrosse game or a doctor's appointment. So I think women do work differently; it's important to have both men and women. They offer different things.
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