A Quote by Mischa Elman

You know, the critics never change; I'm still getting the same notices I used to get as a child. They tell me I play very well for my age. — © Mischa Elman
You know, the critics never change; I'm still getting the same notices I used to get as a child. They tell me I play very well for my age.
It is a great thing to be at your age... You are at a very specific time of age ... an age where you can follow all your dreams. But also at an age when you can change-you can change your dreams, you can change paths. When you start something when you're young, you should not decide 'this is it, this is my way and I will go all the way.' You have the age where you can change. You get experience, and maybe dislike it and go another way. Your age is still an age of exploration.
But I remember the morning after The Mask of Virtue-which is the first play I did at the West End-that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said-for those first notices. I find it so stupid. I remember the critic very well, and have never forgiven him.
I have to bide my time, train well and still play well at club level and whenever my time comes to be more of a regular... but I'm just getting on with it. If I play, I play; if I don't, I don't, but then I will work harder to try get into the team.
I've still got the same friends that I grew up with, I still go to the same places that I used to go to when I was younger, and it's just a very special place to me. I'm still very proud to call Iowa home.
As a child, I always enjoyed - my parents used to have these little cocktail parties - and I always loved trying to get the adults to tell me things they weren't supposed to say. And in many ways, that's what my job is today; it's getting people to tell me things that they probably are otherwise not supposed to say.
My son is an inspired child, a very positive and happy child. The year he was born, he travelled 13 countries with us. I still remember he was so well behaved that the flight attendants used to thank him!
If I was ever to have a child, this is what I'd tell it: 'Child,' I'd say, 'don't never mess with time. Keep now now and then then. And if you ever get lost in thick smoke, child, set still till it clears. Set still till you can see where you are and where you been and where you're going, child.
To get a child's trust - you may know or not - is a very hard thing to do. They're so used to not believing adults - because adults tell tales and lies all the time.
Media wants to know everything. We are in this industry: we have to get used to it; we are still getting used to it. So I have no complaints. They are doing their job.
I like the financial security because I know how hard it is for so many people who struggle to earn a living. I'm grateful I don't have to worry about money and I can live very freely and do something I love and get paid very well to do it. I tell my friends to slap me if they ever think I'm getting full of myself.
No matter where i go, i still end up me. What's missing never changes. The scenery may change, but i'm still the same incomplete person. The same missing elements torture me with a hunger that i can never satisfy. I think that lack itself is as close as i'll come to defining myself.
I used to hate getting dressed, getting in front of the camera and walking down the red carpet. It bothered me because I felt like I couldn't be what they wanted me to be. Now it's still not my favorite thing, but I get through it a lot easier because I know that my work brings value to who I am.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
The cool thing about being in drag, just like getting to play a role in a play, is that you get to play a fantasy and you get to play someone else that you're not used to.
Critics kind never mind! Critics flatter no matter! Critics blame all the same! Do your best damn the rest!
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