A Quote by Misha Collins
When you're doing lots and lots of episodes and you're playing the same character, it's great because you really get to know the character and it becomes a really fast style and you find subtleties in it.
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With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
When you only do 10 episodes for a final season, every character and all of her interactions in every storyline have so much more import because it's the last time we're going to do it. It's been really helpful saying, "OK, where do we want each of these characters to end?" We have 10 episodes to do it and working backward from that, I kind of envy my friends who have always been on a cable network because this is really that great benefit of doing it this way.
I'm character-driven. If it's a great character and something different; because I find that a lot of the times you do get pigeon-holed, you do get the same characters over and over again because that's what producers are comfortable with. They've seen you do it, they know you can do it. I'm kind of getting a little stir crazy.
We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
Really great blogs do not take the place of great microprocessors. Great blogs do not replace great software. Lots and lots of blogs does not replace lots and lots of sales.
There are lots of wonderful actors doing animated films these days, but I prefer it when you can't recognise them - it means they've really become the character.
If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
There's lots of things that can't make it in the world that are worth making. There are lots of great artists who never make it, there are lots of great writers who don't get published - is it still worthwhile? Aren't we glad people are still doing it?
It took a while to learn to eat healthy on road. It's really hard. Really, really hard. But on the bus, I can use the stovetop in the morning to make a veggie scramble. And have lots and lots and lots of coffee. I try to have protein for dinner so I have energy for the show.
We turned the lights off to save money, so you can't really see it. It's the same show. Hopefully, there are lots of laughs and lots of great personal stuff, but it is explicitly a darker season [4 of Sherlock Holmes].
Writing a song is like playing a series of downs in football: Lots of rules, timing is crucial, lots of boundaries, lots of protective gear, lots of stopping and starting.
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
With movies, you come and go as an actor, especially if you are not the lead, from week to week. You don't really have a lot of time to get to know anyone, and then on to the next thing. I know a lot of actors who find fulfillment in playing an entirely new character. I like to stick with one character and create a family with the people around me.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
I love doing 'Castle.' We pump out 24 episodes in 10 months, and we work long hours. We do lots and lots of takes, and everyone there is a talent machine. It is a taxing endeavour to say the least, but when you get into a groove, it doesn't matter if you're tired, it doesn't matter if you're sick. You can do it.
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