A Quote by Misha Green

One of the reasons I love horror so much is - when it's done well - you can keep peeling away the layers and see something new every time. — © Misha Green
One of the reasons I love horror so much is - when it's done well - you can keep peeling away the layers and see something new every time.
In film and theater, you know the story and the journey from beginning to end, but with TV, you can keep peeling away layers and exploring a new world each week.
He says I'm a regular onion! I keep him busy peeling away the layers.
From a writer's standpoint, each character and story presents its own unique challenges and delights. I'm deeply curious about all of my characters, and I love peeling away their layers to see what's underneath their skin, or secreted deep within their hearts.
I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
The stripping away of illusion and the struggle to find personal reality can be likened to the peeling of an apple. As one peels away the layers of unreality. . . eventually only the core remains.
It blows me away the number of truck drivers or macho guys that will call, and then I start peeling back the layers, and I find out they've been listening to me for 10 or 15 years, and they know every lyric to every sappy song.
The message that underlies healing is simple yet radical: We are already whole.... Underneath our fears and worries, unaffected by the many layers of our conditioning and actions, is a peaceful core. The work of healing is peeling away the barriers of fear that keep us unaware of our true nature of love, peace, and rich interconnection with the web of life. Healing is the rediscovery of who we are and who we have always been.
You have thousands of selves inside you. Meditation is a process of peeling back the layers of the self. We start with peeling back the personality from this lifetime.
All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.
When you start peeling the onion and uncovering layers and layers of inequity that have been subsidized by government, it makes a lot of people uncomfortable.
People love scandal; people love drama. They love stripping away the layers to see what's really in there, and they'll do anything - as well as make it up - to get it.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
I never teach until I've spoken to the fighter. I have to first determine his emotional state, get his background, to find out what I have to do, how many layers I have to keep peeling off so that I get to the core of the person so that he can recognize, as well as I, what is there.
'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
More than anything, I'm trying to peel back those layers that keep people away from God and keep people away from experiencing the love of God and knowing God's love as a father.
I am rather partial to Shakespeare, though I haven't done loads. But when it's done right, there's nothing like it. There are layers upon layers upon layers, and you unpack new things constantly. I don't know how he knew so many things - about the world, about women, about human nature, life, death, our fears and hopes.
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