A Quote by Misha Green
It's no secret - I've said this before - people have mistaken me for a P.A. on the set. On my own set.
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When I got back to my cell, I said, 'God, I asked you to set me free, not kill me.' God spoke to me and said, 'Andrew, I have set you free from the inside out, I have given you life!' From that moment on I haven't stopped worshipping Him. I had never sung before, never led worship, until Jesus set me free.
I have great friends around me that are positive and I think that's the key to life is making your own path. Set your own rules because there is no set rule, there is no set look, there is no set anything. You make your own rules in your life. You make your own decisions.
I think you keep two sets of books. In one set, you record the truth -- how well you are really doing. This is the secret set -- just for you and loved ones. In the other set are more modest entries and statements, and these are for public consumption!
I know a lot of people try and set expectations for me. No offense to you guys, but I set my own expectations.
I set my own goals higher than what anybody else has set for me.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
On the set of 'Girlboss,' I had to keep introducing myself as the show runner - literally, 'Hi, I'm the boss' - to a lot of my crew. My first AD said, 'Why do you keep doing that?' I said, 'Because I get mistaken for an extra.'
Headline?" he asked. "'Swing Set Needs Home,'" I said. "'Desperately Lonely Swing Set Needs Loving Home,'" he said. "'Lonely, Vaguely Pedophilic Swing Set Seeks the Butts of Children,'" I said.
When I was studying at Berklee, I got the feeling I couldn't play the [guitar] at all, because I could not use my own things as they didn't fit any set pattern. When I joined [Chico Hamilton], he helped me immensely to develop my own style. He never forced me in any set way. At all times, he encouraged me to be myself on the instrument.
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
"I don't know," I said. "What else did you do for your first eighteen years?" "Like I said," he said as I unlocked the car, "I'm not so sure that you should go by my example." "Why not?" "Because I have my regrets," he said. "Also, I'm a guy. And guys do different stuff." "Like ride bikes?" I said. "No," he replied. "Like have food fights. And break stuff. And set off firecrackers on people's front porches. And..." "Girls can't set off firecrackers on people's front porches?" "They can," he said... "But they're smart enough not to. That's the difference."
There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down.
On December 22, 1986, finding I was body positive, I set myself a target: I would disclose my secret and survive Margaret Thatcher. I did. Now I have set my sights on the millennium and a world where we are all equal.
I like to be around people who make me laugh. It's one of my favorite things on a set. I hate it when people take themselves serious in a film set.
I just think people have been very gracious and welcoming me on set, and even off set.
The premise of Kiss has always been to not live within the confinements and boundaries other people set for themselves. We set our own limitations, and those are no limitations.
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