A Quote by Misha Green

The horror genre has long been used to uncover the dark underbelly of things. — © Misha Green
The horror genre has long been used to uncover the dark underbelly of things.
I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.
I love the horror genre for how cinematic it is. I gravitated, I think, initially, toward the horror genre because, of all the genres, I think it is the genre that is most friendly to the subject matter of faith and belief in religion.
Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others
Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others.
I tend to fall more into the fun horror genre than the traumatic horror genre. I love the films where you're laughing as much as screaming, but that doesn't mean I don't like the other ones.
One of the difficult things of making a horror sequel in general is because the horror genre is so founded on surprise.
I'm a horror movie fan to begin with, so to come back to the genre, I feel like horror has been very good to me.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
I played the first 'Resident Evil' on a PlayStation in high school. I remember, those were the beginning of the survival-horror genre; I've been following it for a very long time.
You decide you're going to do horror, then gosh darn it, do horror. Do what's expected. Don't kind of do it. Don't dilly-dally around, because people really enjoy the genre, and they expect certain things.
Horror is my favorite genre, but there have been a few horror movies that have properly scared me and that I don't jump back in to watch over and over.
Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
As with most things in life, Lady Maccon preferred the civilized exterior to the dark underbelly (with the exception of pork products, of course.)
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