A Quote by Misha Green

In 'Underground,' you have to write for everyone, even the bad guys. People need to laugh and love and have voices and do bad things. Even slave owners need to be people. — © Misha Green
In 'Underground,' you have to write for everyone, even the bad guys. People need to laugh and love and have voices and do bad things. Even slave owners need to be people.
And in fact you're not like everyone else: you weren't ashamed just now to confess bad and even ridiculous things about yourself. Who would confess such things nowadays? No one, and people have even stopped feeling any need for self-judgment.
The bottom line for most people who are normal is their need for other people. Even the greedy ones have this need - as long as they're not sociopathic. They may be very misguided and unhappy and do bad things and so forth, but in general if you look down deep, you find that these people are mainly concerned with other people and what other people think of them.
People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.
Drag artists are more men than real men. You need a lot of courage, personality, and guts to go out there. Even if you look good or you look bad, you still need to have all of those things to be on stage. You're going to get criticized by everyone.
If I write badly about blacks, homosexuals and women, it is because of these who I met were that. There are many 'bads' - bad dogs, bad censorship; there are even 'bad' white males. Only, when you write about 'bad' white males, they don't complain about it. And need I say that there are 'good' blacks, 'good' homosexuals and 'good' women?
You look at keyboard warriors who just want to get on and talk bad about the people in the sport, and the problem is that everyone who's talking bad, they wouldn't even be able to fill a stadium with three thousand people.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
Everyone has a right to bear arms. If you take guns away from legal gun owners, then the only people who have guns are the bad guys.
People need songs to belt out in the shower. Even if everyone else doesn't need that, I need that.
It is easy to love friends and sweethearts. This is selfish love. Higher love embraces enemies and all ugly, bad people. The highest love doesn't see goodness or badness at all. One should even love warmongers, bad food producers and priests.
Are the problems of the world caused by bad people who need to be crushed? Or do people do bad things when they are in a certain situation? If it is the latter, then we can go around crushing the villains for another thousand years and nothing will change.
I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.
I've sort of always pulled for the heels, like the bad guys. So I think if I were a pro wrestler, first I'd need to bulk up, and second I'll need to get sort of a bad-boy persona.
How can love be worthy of its name if one selects solely the pretty things and leaves out the hardships? It is easy to enjoy the good and dislike the bad. Anybody can do that. The real challenge is to love the good and the bad together, not because you need to take the rough with the smooth but because you need to go beyond such descriptions and accept love in its entirety.
You can have all the gun control laws in the country, but if you don't enforce them, people are going to find a way to protect themselves. We need to recognize that bad people are doing bad things with these weapons. It's not the law-abiding citizens, it's not the person who uses it as a hobby.
You don't want to make performances; you want to make people. When a project knows, 'Okay, my bad guys need to be a little sympathetic, and my good guys need to have a bit of a mean streak,' you're off to a good start.
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