A Quote by Misha Green

I generally don't think of prospective actors when I write. — © Misha Green
I generally don't think of prospective actors when I write.
We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
I think my experience as an actor helps me to write anything. It certainly helped me to write 'August Osage County.' It helps me to write any play that I'm working on because I think one of the things I do well is write good roles for actors.
The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
Because I write realistic fiction, I generally don't think about fixing anyone - I just think about how I want to feel at the end of the book - And I try to write toward that feeling.
I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
Generally speaking, actors are allowed NO input. Actors are dumb.
Actors don't generally go asking other actors for advice too much, but I'll take suggestions wherever I can.
Being an actors' family, we generally didn't think about any other profession.
I don't think many actors are the best judge of careers. I think generally we have good instincts about what we can do in terms of acting. And often they become directors, which I don't want to be.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
I generally write the songs accidentally. They generally come out of nowhere.
Actors generally get to do things you probably shouldn't do in real life - well, at least as much as one might like to or be tempted to. Though I suppose a lot of actors just go ahead and do it, don't they?
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