A Quote by Misha Green

'Lovecraft Country' is reclaiming all these pulp genres for people of color. — © Misha Green
'Lovecraft Country' is reclaiming all these pulp genres for people of color.
I mean, these are really dedicated people [in Lovecraft Society] when it comes to [h.P.] Lovecraft. But in the top floor of the John Hay Library, you have all of Lovecraft's archives. And messing around in there, I noticed, I said, what are these paintings? And the librarian told me, "Well, those are Pickman's paintings." I said, "I thought this was like something he made up, like The Necronomicon, that kind of stuff." And he said no, that the guy actually existed.
Films really can change a conversation and change someone's thinking and perception, especially with people of color at the center. It rarely happens. I think it's important for both the community but also the world to see people of color in all genres, especially love stories.
The more country that my music gets, the less it fits into the country world today. It's almost like there needs to be two genres, modern country and... country?
When women work on reclaiming the lost part of themselves, they're also working on reclaiming the lost soul of the culture as well.
Music, that has mostly earned a 'film music' status in our country, leaves genres like jazz, folk and classical to the niche. But, something common ties all the genres of music, the skeleton of the sounds - the instruments. Instrumentalist in our country are not given their due, at least not as much as they deserve.
I think country music is really one of the biggest genres of music out there and one the most successful genres.
So the survival of the spirit, the body and the emotions? That's the way to win in 'Lovecraft Country'.
Let me go over this again on the reclaiming the civil rights movement. People of faith that believe that you have an equal right to justice - that is the essence. And if it's not the essence, then we've been sold a pack of lies. The essence is everyone deserves a shot - the content of character, not the color of skin.
Most of my influences from outside the commerical strange fiction genre came in with university, discovering James Joyce and Wallace Stevens, Blake and Yeats, Pinter and Borges. And meanwhile within those genres I was discovering Gibson and Shepard, Jeter and Powers, Lovecraft and Peake.
Until 'Lovecraft Country' feels like a show where people go, 'Is that how the world used to be?' we do need to talk about it and make art about it, because sadly, it's not history yet.
It's called "Pickman's Mephitic Models," based on the story [Pickman's Model by H. P. Lovecraft].Certain things about it many people don't realize. Pickman was a real painter who lived between 1888 and 1926. Now, there's a question mark [gesturing toward the writing in the margins of the painting], because Lovecraft claims that he turned into a ghoul. God knows how old he is now.
When I first read 'Lovecraft Country' I knew it had the potential to be unlike anything else on television.
Mike Mignola's 'Hellboy' was influenced by Lovecraft big time. He wanted to make his monsters Lovecraftian. But I think many other films have been influenced by Lovecraft - like 'Alien,' which is almost an outer-space version of 'At The Mountains Of Madness.'
People want to peg you as alternative R&B when they hear soul or see the color of your skin. It's comfortable when people see artists of color or artists that come from a different country to put that brand on us. It's just not as linear as that.
I belong to the Lovecraft Society, which meets at the University. They do things like follow in Lovecraft's footsteps, just like he followed in Edgar Allan Poe's footsteps. I mean the actual footfalls, you know, like they're going out looking for sasquatch, this kind of stuff.
We need heroes of color in all different genres. It's also valuable for white readers to be able to meet people in books that are different than themselves. That can be a way of expanding their minds and experiences.
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