A Quote by Missi Pyle
I used to audition for musicals when I was in New York before I moved to L.A., but I couldn't quite hit a certain note, so I saw a teacher in L. A. who helped me get better at it. She showed me how to use a different part of my voice. You are never too old.
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In high school, I did some musicals, but I never took acting until college. I was studying opera, classical voice, and a speech teacher asked me to audition for this play, and I got the lead.
I was lucky because my mum was a teacher and showed me how to read and write. But most importantly, she encouraged me to use my imagination.
It's about being open to what comes your way. I came to New York and saw 'Spelling Bee.' I said to myself, 'That's the greatest show ever, and I can't believe I'm not a part of it.' I felt the only way I'm going to get to be a part of something that good is to live in New York. So I moved to New York and ended up in 'Spelling Bee.'
My mother worked for more than a decade before marrying. She went to New York City to get a master's degree. And she continued to work as a teacher and a principal until she was forced to retire.Both she and my father instilled in my sister and me a deep love of learning.
When I got to 10th grade at Booker T. Washington High, I had a teacher, Miss Geraldine Nesbitt. I think she came from New York. She helped me begin to question things.
I feel so very grateful to have the voice God gave me. It takes a lot of rest and training to sing, and I was lucky that I found a great teacher when I first moved to New York.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
My music teacher who I was really close with, she helped me out a lot being away from home and going to school in Rhode Island. She was like a mother to me on campus. But she was the theater teacher and she didn't have anyone to play Aladdin, so she asked me if I would.
I'm learning how to work my voice. I got some songs that you probably wouldn't even know it's me singing on there. I will sit there and take 20 takes until I hit that note right. It's different on stage - you've got to hit the notes that one time.
I loved my soap days. I really loved them. A Martinez and Marcy Walker taught me how to act, basically. All those people pulled together and helped get me started. Like, showed me how to hit my mark, made me do this, made me do that. That was my first long-running professional gig. And it was like, they were just - great, great with me.
As a little kid, I used to lock myself in my room and put on my Whitney Houston CD's and pretend to be her and try and hit every single note that she hit. I used to dream that one day that would be me.
Every time I asked a question, that magnificent teacher, instead of giving the answer, showed me how to find it. She taught me to organise my thoughts, to do research, to read and listen, to seek alternatives, to resolve old problems with new solutions, to argue logically. Above all, she taught me not to believe anything blindly, to doubt, and to question even what seemed irrefutably true, such as man's superiority over woman, or one race or social class over another.
I moved to Queens, New York, when I was seven and a half. I went to middle school in a foreign country, but I had so many different kinds of Americans push me along and encourage me. I was very odd. I didn't talk very well. We were poor, and we didn't have any connections, but people showed up and pushed me along.
I did not have a personal relationship with Jesus until I met my nanny, who helped me through a failing marriage and raising my two boys in a New York City apartment. She showed me by example what it was like to be able to talk to Jesus and bring all my cares and worries to Him. That was in 1990.
For me, the hardest part is taking lessons, and it's hard teaching an old dog new tricks, so part of my re-teaching myself is opening my mind too. I just want to get better and I think there's nothing wrong with wanting to get better.
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.
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