A Quote by Missy Elliott

I think it's being innovative and very creative to stay away from flat-out sampling somebody else's record. To me, that doesn't show too much of your creative side unless you take a little piece and add it, almost like spice on a chicken.
I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.
For me it's much more like a little kid rebelling. The minute I was told what to do at any age, I did the opposite. Hopefully I'll do that for the rest of my life. I come from the business side and Mark comes from the creative side, but every time a decision came up about Creep it was two emails, and we agreed. I've not had that ever with someone on the creative or the business side.
I know there's a creative side to artists to - pardon me - there's a creative side to scientists already, but there may be an artistic side, too, waiting to break free.
I'm bored with DJs. Anybody that puts the title DJ in front of their name immediately turns me off. I prefer the term "sampling," because it has both the dilettante side, like someone tasting wine or caviar, but also functions as a kind of litmus paper dipped into culture. And the whole semi-legality of sampling is very interesting as well. So a DJ is not really creative enough for me to be an appropriate metaphor.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
When I was teaching I often said to students that you are trying to be too creative, don't be too creative, because there is so much already in what you are making, you don't need to do very much. You just need to do a little bit, and that is a lot.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
I think a rotisserie is like a really morbid ferris wheel for chickens. It’s a strange piece of machinery . . . We will take the chicken, kill it, impale it, and then rotate it. And I’ll be damned if I’m not hungry! Because spinning chicken carcasses make my mouth water! I like dizzy chicken. With a side of potatoes of some sort.
It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.
I like to stay busy, I like to stay focused, and I like to stay creative. Without being creative I'd be dead.
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me.
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me
I feel like I have everything else as far as being creative and athletic. But it's the little things that's going to push me over, like ball-handling, passing, boxing out when I'm setting screens. Little things like that that you would overlook that can make me a complete player.
I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.
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