A Quote by Missy Elliott
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
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I think we know enough now to know that Donald Trump is doing the same kinds of things that Jeb Bush would have done or Marco Rubio would have done or Mitt Romney would have done.
I really like the last three Luna records a whole lot, especially 'Penthouse.' I think of all the records I've done, that's my favorite. I don't know why, really. I don't know why some records turn out better than others. It's not a science.
What would I have done if my coya had been captured or killed? My mate, Sharone. The other half of everything I am. What would I have done?
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Rhythm and blues started even before phonograph records were being produced because black people entertained themselves. It wasn't done for money. It was done for entertainment. Most white people didn't know anything about this because prejudice kept them from ever seeing what was going on.
When it’s all said and done, I want to be able to say I got the most out of my potential. I don’t want to look back, however many years from now, and say, ‘I wonder if I would have worked a little harder. I wonder if I would have done this or done that, how things would have turned out.’ I want to, when it’s all said and done, be able to put my head on my pillow and say, ‘I did everything I could do — good or bad.’
I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people.
You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.
I feel like I haven't done anything. What have I done? I've just made a few records.
The majority of my records that become big records are usually done in one day.
Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.
I know I've done bad things. But I've done just as much good as I have done bad. And it's not even necessarily bad. I would say they're growing pains.
Really exotic methods of propulsion . . . will have to be devised to get there. How it will be done, I do not know. Whether it will be done, I am not quite certain. But I would bet it can be done.
I know I'm tired of thinking about what I should have done yesterday. I know I'm just tired. If I knew what to do with my life, how to fix it up, I would have done it a long time ago. You can't dig that? You think I want to live like I'm somebody's throwaway?
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
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