A Quote by Missy Mazzoli
It's only when it's smoothed out by history and we try to make sense of it - this incredibly complicated period when everyone's doing something different every day - that we look for those stylistic similarities and we say, "Well, that's what that was about," and sort of forget all the other nuance. I definitely feel that that's true for this time in my community of artists, and I'm sure that it was true at other times too.
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I exercise a lot. I enjoy exercising. I switch back and forth with cardio and strength training every other day, and I try to do something active every single day. Other than that, I try to make sure I have enough quiet time to myself to recharge every week as well.
Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.
Each day I feel a little differently; some times I try to write something that's fictitious and then there's other times where I try to write something that's true.
Most of the writers I know work every day, in obscurity and close to poverty, trying to say one thing well and true. Day in, day out, they labor to find their voice, to learn their trade, to understand nuance and pace. And then, facing a sea of rejections, they hear about something like Barbara Bush’s dog getting a book deal.
Basically, high protein, low carb. I work out three to four times a week. I definitely don't do the same thing every day, whether it be spinning or hiking or walking or doing the treadmill. I try to do something different every day. But definitely the one thing is, I sweat.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
I am incredibly, incredibly fortunate about the opportunities I've had. But at the same time, I've had plenty of opportunities to screw it up, too. Sometimes the most powerful thing you can say is 'No...' and not feel the need to do everything. It's about doing what rings true to me.
I just try to make sure every day that I'm blessed to live on this earth that I seize that day. I'm 25 and, you know, I know with each passing second, I'm getting older. So, I might well seize every single one of those seconds and make sure I'm doing as much as I possibly can in the community to know we worked hard for this and to instill that into everybody around me is truly my goal.
Just be true to yourself, and listen as much as one is able to to other people whose opinions you respect and look up to but in the end it has to come from you. You can’t really worry too much by looking to the left and the right about what the competition is doing or what other people in your field are doing. It has to be a true vision.
To have nice interactions with people is a better than to make anyone uncomfortable, than to try to fill up some kind of lull. Like anybody else, there's times when maybe I don't feel like talking with other people. You don't have to be in show business to not feel like making small talk sometimes. But we kind of are all in this together. It makes things easier - it just makes life easier, if we're all nice to each other. I'm sure that sounds terribly corny, but honestly, it's one of those simple things that it's so simple, it's true, and it's so true that it's simple.
It's starts out young- you try not be different just to survive- you try to be just like everyone else- anonymity becomes reflexive- and then one day you wake up and you've become all those other people- the others- the something you aren't. And you wonder if you can ever be what it is you really are. Or you wonder if it's too late to find out.
Many other artists who sing about hope think that it is something every single person carries within himself. I'm not so sure if that's true. For me, hope is the little light guiding you the way, which reminds you that life does have a sense, that you have goals. To believe in that is often more easily said than done.
When I think back on it, I have a sense of relaxation, as if in the seventies no one had to try to be anyone other than who they were. I'm sure that's not really true, but that's how I remember it, and I suppose it might be relatively true.
Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
And sometimes the clergy are blindsided by that. Other times they realize that ahead of time and say they're not going to use those terms. So it gets complicated for sure.
Every cancer looks different. Every cancer has similarities to other cancers. And were trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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