A Quote by Missy Mazzoli
I really think of my motives, my melodies, my harmonies, as being these things that are very much alive. They have these little lives of their own that are stretched and pulled, and I do conceive of my music in a very narrative way.
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What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
I'm the youngest sibling of a very outspoken, very popular character. As much as I love to share the stage with him and share the narrative with him we we have had our entire lives, I have my own creative outlook on things.
I was thinking a little bit about this very thing - poetry and music - the other day when I was listening to Lucinda Williams. The way she sings is very emotive, and there is a kind of drag to her articulation: she sings behind the beat, sort of like she's being pulled along by the song a little, or is in resistance to it.
I listen to very little music, particularly contemporary. If I listen to it, it's going to be my own music, some arrangement or something. I spend so much time listening that the way I relax is by watching things, a comedy; that's my way to wind down.
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.
Some of the best trades come when everyone gets very panicky. The crowd can often act very stupidly in the markets. You can picture price fluctuations around an equilibrium level as a rubber band being stretched -- if it gets pulled too far, eventually it will snap back. As a short-term trader, I try to wait until the rubber band is stretched to its extreme point.
I don't really have a drive toward being a director at all. Not that I wouldn't rule it out, but I just don't think my instincts lie necessarily in a very visual way. But I am very interested in storytelling, narrative and character development, so writing is something that I absolutely want to do.
I think live music is really, really important. And I think it's very important to do together. It's much more fun to play to music together than the one person listening to their lone iPod Shuffle. I think it's an amazing way to build community and have children do things that are funded that's not a videogame.
To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.
I had no idea how much music and singing really means to people, and in my own tiny way to be a part of that is very humbling and very sweet, and and I feel very honored. ... I have a great appreciation for this, in every ways and a new understanding, and I'm just as amazed as anyone else.
I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.
Maybe you could call me a little controlling or I like things to be my way, but since I was a little girl, I've known what I wanted. I'm very rootsy, but it really hadn't ever caused me too much strife. I really know when to say when. I'm not too outward but I'm very honest.
That's one of the things I like best about folk music is the beautiful melodies - and the harmonies - that exist in it. And of course, some of the stories, the story songs.
There's nothing wrong with being proud of America, believing that America can do great things. America can do great things, it has done great things. I think we have to have the self-awareness to recognize that the world is a very, very big place, that we could be a force for good things in the world, but we have to have the humility to recognize that sometimes even when we think we're acting from the best of motives our own idealism can be infected by self-interest. Other people in other countries can see it sometimes better than we can.
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
When you get down to the bottom of it, only about half of what we remember really happened. We tend to modify things to make ourselves look better in our own eyes and in the eyes of others. Then, if what we did wasn't really very admirable, we tend to forget that it ever happened. A normal human being's grasp on reality is very tenuous at best. Our imaginary lives are usually much nicer.
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