A Quote by Misty Copeland
When you see the body outside of a costume and see the strength that it takes, people would look at dance a different way and see how athletic it is. You're not just born like that.
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People are deeply interested in rewriting the established narratives and challenging what we see as the norm in every way. We want to see a new definition of beauty and sexy. We want to see different people look vulnerable and show strength and redefine what it means to be strong.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
When they see us dance. When they see how you look at me. When they see how I smile at you.
'The Dance Scene' is just a real look at what it takes. You see the award shows. You see the videos and you never realize what goes on behind the scenes. The reality and the preparation. The motivation I have to give each dancer on that set.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
We are not born with effective vision. The human infant has to learn how to see. The eyes gather information, they transmit it to the brain, but the brain doesn't know how to process it yet. We learn how to see in a way that's very similar to the way we learn how to speak. It takes a couple of years.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
I don't see things the way my parents do. They can look at a tree and see something amazing, whereas I just see a tree. That's not to say I don't appreciate its beauty. When I watch the sea in somewhere like Sardinia, I see the beauty in that.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
Outside football, I just love life, you know. We're lucky to play football, to have all this body. Everyone's watching us. You see how many people, they come and watch the game. It's unbelievable, you see how many people they come. They shout your name and just enjoy life.
Just the way you might look at a painting and see the painting, and the painting is outside you, so this immaterial intellect would see the forms and behold them, as if they were standing before it. And Plotinus said that that can't be right because it falls prey to sceptical objections.
Sometimes we only see how people are different from us, but if you look hard enough, you can see how much we're all alike.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
You see layers as you look down. you see clouds towering up. You see their shadows on the sunlit plains, and you see a ship's wake in the Indian Ocean and brush fires in Africa and a lightning storm walking its way across Australia. You see the reds and the pinks of the Australian desert, and it's just like a stereoscopic view of all nature, except you're a hundred ninety miles up.
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