A Quote by Misty Copeland

I ended up training only for four years before I was accepted into American Ballet Theater in New York City. — © Misty Copeland
I ended up training only for four years before I was accepted into American Ballet Theater in New York City.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
My parents retired to New York City, and my brother and both of my sisters ended up in New York City. We are all New York City transplants from Pennsylvania.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
The acting training in school was great, but it was mostly fun being young and in New York. Because my upbringing was so transient, New York ended up being my home. I've been living in New York longer than I have anywhere else in my life.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
However, the moral center of New York City, I believe, is the New York City Ballet.
A report released by the Partnership for a New American Economy and the Partnership for New York City predicts that by 2018, there will be 800,000 science, technology, engineering, and mathematics (STEM) jobs in the United States that require a master's degree or higher - and only around 550,000 American-graduates with this training.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
Being in New York is an almost overwhelming experience. While Washington, D.C., is my favorite American city, I regard New York City as the most amazing city in the world. No other comes close. It is an incredible, inexhaustible engine.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
I really would rather have gone to New York, since all my training had been in theater, but I didn't have the guts to go there alone. I knew only one person in New York, and that was a man. What I needed was a woman. That's the way Southern girls thought.
I had visited New York at age 12, and I loved the big buildings and the swarms of people. At 23, I decided to try it. I was going to go for six months, and I ended up living there for 18 years before I moved to California, so I am living the American Dream.
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