A Quote by Misty Copeland
Once I became a professional, maybe 19 or 20, I really started to try to figure out who I was, as a woman and as an individual.
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I started to act in highschool and became a professional actor at 19.
When I started out at about 19, 20, it took me two years just to tell the difference between a jig and a reel. It does all sound the same, but what you can find once you go in - it's never-ending. So that's my love.
The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?
When I was 19 and 20, and 20 or 25 in the world , I was enjoying it. But now it's a rollercoaster and I just can't seem to find the commitment to work hard, to enjoy and to lift trophies. Maybe I have to look at a few things and maybe play less tournaments.
We started the band when I was about 19 or 20. At that age, it would have been kind of hard to imagine a lot of the stuff that I've written. We were playing garage rock. I wanted to dash out three chords and scream. But if you do that for 20 years, what's the point?
I have a tendency, more than most other physicists, to try to figure out everything all at once, before I publish. And even to try to figure out everything in my head, without pencil and paper.
I've come to realize I'm a professional, no matter if I'm 38, no matter if I'm 19 or 20. I'm a professional.
I don't speak anything fluently, but I love picking up languages and I do this Duolingo app. I started when I moved to Sweden, when I was about 19, 20. I really loved the language; it was super melodic and really sexy.
Nobody thought that I could become a professional. I was not that good. It was really just one thing I had fun doing. But it was never realistic for me to become a professional until I became 17 or maybe 18.
History is basically really looking back and finding out what happened to an individual, a community, a family, a group in a certain event. And so that's why I go, "Wow. That's what acting really is. You find out the background, you get the joy of creating a fictional history of a fictional character and you get to tell a story." So I felt that acting is making history come alive and it became my mode of trying to figure out what this craft of acting is really all about.
I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.
I have been working since I was 20, and I'm 38. I actually once averaged out what I had made over my professional life. I think I could have made that much as a waiter or an insurance salesman. You know, I spent so many years in my 20's making $10,000 a year.
My two interests are spirituality and politics. I would mesh them in some way; maybe try to figure out the politics of spirituality, or the spirituality of politics. Or maybe come up with this really crazy naive solution for the end of civilization.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
I've been a guy who's never really been satisfied. Work hard, try to figure out ways to improve, try to figure out ways to sustain a certain level of play.
It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. I like when it's really organic, so I try to knock it out in one shot.
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