A Quote by Misty Copeland

Being the only African American at this level in American Ballet Theater, I feel like people are looking at me, and it's my responsibility for me to do whatever I can to provide these opportunities in communities to be able to educate them.
Being one of the few African American women to make it to this level in a classical ballet company, the level of American Ballet Theatre, takes a lot of perseverance.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.
I would definitely like to see the education process more enhanced in African-American communities, because we need to be educated on laws that are relevant to our communities and our people, as well as to any other ethnic groups. A broader view of how people perceive African-American boys and girls in this country is what I'd like to see.
When you have a policy of making sure that African Americans cannot build wealth, of plundering African American communities of wealth, giving opportunities to other people, it's only right that you might want to, you know, pay that back.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
This [2016] election is also about, so importantly to me, African-American and Hispanic-American people whose communities have been plunged into crime, poverty and failing schools by the policies of crooked Hillary Clinton. Believe me, she's crooked.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
There clearly is a serious race problem in the country. Just take a look at what's happening to African American communities. For example wealth, wealth in African American communities is almost zero. The history is striking.
I don't regret the fervor, because I do believe, in the African American community but also for other communities, and I know from talking to people, for communities around the world, the election of an African American to the most powerful office on Earth meant things had changed, and not just in superficial ways. That in some irreversible way the world was different.
I am an American. Black. Conservative. I don't use African-American, because I'm American, I'm black and I'm conservative. I don't like people trying to label me. African- American is socially acceptable for some people, but I am not some people.
I think that the people who come from communities like me as an African-American woman, as a member of the LGBT community, we haven't sat in the corners of power.
Eviction affects old folks and young folks, sick people and able-bodied people, white communities and African-American communities.
My mom is African-American, Native-American, Irish, and Creole, and my father is of Jewish, Russian, and Polish descent. It's made me who I am. Because of my diverse background, I think I can relate to many different people, different stories, and different communities.
They think America is like a major league in entertainment. For me personally being here for the past year-and-a-half, I know some of the arguments and discrepancies African American actors have with the opportunities here.
The only way to kill militancy, to reduce it, is to provide opportunities to people who have no opportunities. I've always told my American friends that.
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