A Quote by Misty Copeland
When I was 16, I moved to Torrance, California to train at a more advanced studio, and by 19, I joined the American Ballet Theatre in New York. It all happened so fast - it was pretty unheard of that someone could train for so few years and become a professional at one of the most elite dance companies in the United States.
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My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."
When I moved to the United States, I first went to California to be the chef at Campton Place. As much as I loved California, I really missed the seasons. So when I moved to New York, I had that again.
Now you have a choice: we can give more tax breaks to corporations that ship jobs overseas, or we can start rewarding companies that open new plants and train new workers and create new jobs here, in the United States of America.
I moved to the United States for two reasons: to train with the best coach in the world, Rafael Cordeiro, and be able to train and live with my family, something that I couldn't do back in Brazil. It was the best decision I ever made in my life and career.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
So I went to New York City to be born again. It was and remains easy for most Americans to go somewhere else and start anew. I wasn't like my parents. I didn't have any supposedly sacred piece of land or shoals of friends to leave behind. Nowhere has the number zero been of more philisophical value than in the United States.... and when the [train] plunged into a tunnel under New York City, with it's lining of pipes and wires, I was out of the womb and into the birth canal.
There are fast ideas and slow ideas, just as there are fast trains and slow trains. When it comes to money, most people are on the slow train looking out the window watching the fast train pass them by. If you want to become rich quickly, your plan must include fast ideas.
I was 16. In the middle of the night, I took a taxi to the Detroit train station - or maybe it was the Pontiac train station? - and got on a train to Chicago, then transferred to a train to San Diego where my boyfriend was living at the time.
It seems to me that you are better off, as a writer and as an American, in a small town than you'd be in New York. I thoroughly detest New York, though I have to go there very often.... Have you ever noticed that no American writer of any consequence lives in Manhattan? Dreiser tried it (after many years in the Bronx), but finally moved to California.
I actually came to New York when I was 12 and did ballet school for a little while. I was being groomed to be professional, and a lot of the professors and teachers there were drawn to me and thought that I could become a professional ballerina.
I played soccer when I was a kid. I started when I was 8 and played for 8 more years. I was pretty good. I used to train with Atletico Nacional, which is one of the most important teams in Colombia. I used to train every day.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
I actually quit ballet when I was offered a job, an apprenticeship at North Carolina Dance Theater Company, run by John Pierre Bonnefoux and Patricia McBride, who are my idols. Everything sort of went perfectly. I was 16, and I was about to drop out of high school and become a professional ballet dancer.
At 19, I turned professional, and I moved to New York. Then I got the call to do 'Dancing With The Stars,' so I moved to L.A. when I was 20 and did it for 18 seasons - about two a year - until I was 30.
Kerri and I met at theatre camp when were 16 years old, which is pretty lame. The rest of us met when we founded the State at New York University in 1988. Most of our adult lives have been spent bickering with these people.
One of the most beautiful sights in dance is American Ballet Theatre in full flight.
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