A Quote by Mitali Perkins
American and Vietnamese characters alike leap to life through the voice and eyes of a tenyearold girl-a protagonist so strong, loving, and vivid I longed to hand her a wedge of freshly cut papaya.
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Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
The sun setting on the Ucayali, with the Andean foothills in the background, and the taste of freshly cut papaya in my mouth, restoring a body utterly shattered, made for one of those 'ones to tell the grandchildren' memories.
Her hair gives dawn it's fire, her eyes give dusk her soul" He knew how to use his voice to melt a girl's heart, to make a girl want to believe. I steeled myself against the seductive words. "Excuse me?" "It's a line of poetry describing a beautiful girl, one who doesn't seem to know it.
You can always tell a man's nationality by introducing him to a beautiful girl. An Englishman shakes her hand; a Frenchman kisses her hand; an American asks her for a date; and a Russian wires Moscow for instructions.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
This was not some pretty little girl, coyly flirtatious, delicately stimulated. This was the mature female of the species, vivid, handsome and strong demanding that all the life within her be matched. Her instinct would detect any hedging, any dishonesty, any less than complete response to her - and then she would be gone for good.
The boy and girl going hand in hand through a meadow; the mother washing her baby; the sweet simple things in life. We have almost lost track of them.
I grabbed Aunt Prue's tiny hand, her fingers as small as bare twigs in winter. I closed my eyes and took her other hand, twisting my strong fingers together with her frail ones. I rested my forehead against our hands and closed my eyes. I imagined lifting my head up and seeing her smiling, the tape and tubes gone. I wondered if wishing was the same thing as praying. If hoping for something badly enough could make it happen.
I love roast dinners, simple avocado salads, spicy Vietnamese papaya salad, all fish and seafood, a good steak.
The boy and girl going hand in hand through a meadow; the mother washing her baby; the sweet simple things in life. We have almost lost track of them. On the one side, we over-intellectualize everything; on the other hand, we are over-mechanized. We can understand the danger of the atomic bomb, but the danger of our misunderstanding the meaning of life is much more serious.
When I look back over my life it's almost as if there was a plan laid out for me - from the little girl who was so passionate about animals who longed to go to Africa and whose family couldn't afford to put her through college. Everyone laughed at my dreams. I was supposed to be a secretary in Bournemouth.
Which doesn't mean, of course, that I'd stopped loving her, that I'd forgotten her, or that her image had paled; on the contrary; in the form of a quiet nostalgia she remained constantly within me; I longed for her as one longs for something definitively lost.
Now from his breast into the eyes the ache of longing mounted, and he wept at last, his dear wife, clear and faithful, in his arms, longed for as the sunwarmed earth is longed for by a swimmer spent in rough water where his ship went down under Poseidon's blows, gale winds and tons of sea. Few men can keep alive through a big serf to crawl, clotted with brine, on kindly beaches in joy, in joy, knowing the abyss behind: and so she too rejoiced, her gaze upon her husband, her white arms round him pressed as though forever.
He slid his hand onto Riley's bare abdomen. "I got to thinkin' that a few years down the line, when yer older, what if that was our baby and I could feel it right here under my hand. Feel the life we'd created." Riley's eyes moistened. "Girl or boy?" "Doesn't matter. If it's a girl, we can name her after my gran. Her name was Emily Rose." "Hmm...I like that. Maybe the boy could be Paul Arthur, like my dad." "Yeah, that works. But that's all the way down the line, isn't it?" It might never come to pass.
Without beauty a girl is unhappy because she has missed her chance to be loved. People do not jeer at her, they are not cruel to her, but it is as if she were invisible, no eyes follow her as she walks. People feel uncomfortable when they are with her. They find it easier to ignore her. A girl who is exceptionally beautiful, on the other hand, who has something which too far surpasses the customary seductive freshness of adolescence, appears somehow unreal. Great beauty seems invariably to portend some tragic fate.
My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.
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