A Quote by Mitch Albom

Suddenly, details seemed extremely important. Details were something to grab on to, a way to insert myself into the story. — © Mitch Albom
Suddenly, details seemed extremely important. Details were something to grab on to, a way to insert myself into the story.
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
There are little details in everything you do, and if you get away from any one of the little details, you're not teaching the thing as a whole. For it is little things which, together, make the whole. This, I think, is extremely important.
If one is but secure at the foundation, he will not be pained by departure from minor details or affairs that are contrary to expectation. But in the end, the details of a matter are important. The right and wrong of one's way of doing things are found in trivial matters.
I think the most important thing journalism taught me is to mine for details. The details are key. You can't try to be funny or strange or poignant; you have to let the details be funny or strange or poignant for you.
I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.
It's true I didn't get a fair trial, but the problem is people don't understand the details. It is important to understand the details of the trial and why I'm not guilty under the charges that were brought against me.
I pick up the details that drive the organization insane. But sweating the details is more important than anything else
I pick up the details that drive the organization insane. But sweating the details is more important than anything else.
I don't beat at the details, but I do always keep in mind that anything that isn't A) moving the story forward or B) enlarging my understanding of the central characters has to be sacrificed. I have huge folders of details - research - with a story like Netherlands. Only a very small part of it gets used. The old iceberg analogy again.
My heart belongs to the details. I actually always found them to be more important than the big picture. Nothing works without details. They are everything, the baseline of quality.
To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.
The Negro. The South. These are the details. The real story is the universal one of men who destroy the souls of other men (and in the process destroy themselves) for reasons neither really understands. It is the story of the persecuted, the defrauded, the feared, and detested. I could have been a Jew in Germany, a Mexican in a number of states, or a member of any 'inferior' group. Only the details would have differed. The story would be the same.
There are details within details within details to anchor you in the fact that we are talking about the real world, not an illustrated children's book fantasy world.
Streamlined time details are especially important, because by having to take a close look, we discover new things. Because of this, details will remain part of the building in the mind's eye
Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
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