A Quote by Mitch Albom

There is a time for hello and a time for good-bye. It's why the act of burying thing seems natural, but the act of digging them up does not. — © Mitch Albom
There is a time for hello and a time for good-bye. It's why the act of burying thing seems natural, but the act of digging them up does not.
Good-bye is always hello to something else. Good-bye/hello, good-bye/hello, like the sound of a rocking chair.
Came to . . . see you.” “But I had to go home, remember? You were supposed to say good-bye.” “Don't know why you . . . say good-bye. I say . . . hello.” Her lip quivers between reactions, but she ends up with a reluctant smile. “God you're a cheeseball. But seriously, R—
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
I think golf can be one of those places where we act and we hope that people act as we would like them to act all the time.
The act of forgiveness is the act of returning to present time. And that's why when one has become a forgiving person, and has managed to let go of the past, what they've really done is they've shifted their relationship with time.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
You try to stay in the moment and act like you're singing the song for the first time. You try to have a good time yourself. That's the most important thing. If you're having a good time, people will join you.
One thousand ways to say good-bye One thousands ways to cry One thousand ways to hang your hat before you go outside I say good-bye good-bye good-bye I shout it out so loud Cause the next time that I find my voice I might not remember how.
Only bake one type of thing at a time. Even when it seems like you're killing two birds with one stone, baking multiple recipes at the same time in one oven presents a tricky balancing act.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
I write. I imagine. The act of imagining in itself enlivens me. I am not frozen and paralyzed before the predator. I invent characters. At times I feel as if I am digging up people from the ice in which reality enshrouded them, but maybe, more than anything else, it is myself that I am now digging up.
The rights [to religious freedom] are of the natural rights of mankind, and ... if any act shall be ... passed to repeal [an act granting those rights] or to narrow its operation, such act will be an infringement of natural right.
You cannot act in love and act in fear at the same time. You must choose between them.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
Why do I act as I do? To tell you the truth, I have absolutely no idea why. It is simply my nature to act as I act, and that's all I can say.
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