A Quote by Mitch Albom

For years I wrote in my basement. More recently I graduated to one floor above, an office with all my books and music and - ta da! - a window. — © Mitch Albom
For years I wrote in my basement. More recently I graduated to one floor above, an office with all my books and music and - ta da! - a window.
This one guy, the worst guy in the music. The Yanni man. You know Yanni? First of all, anyone who looks like a magician and doesn't do magic, I don't like. I don't even like magic, I hate it. But I love the word, "Ta-da"! I love that word! I don't get to say it, right? I never do any magic. You just can't go around walking, "Ta-da!" "Ta-da!" "Ta-da!" The only time I can say it is when I do something really stupid or surprising. Like if I go out all night drinking and hitting strip clubs and I come home and I still got some money... "Ta-da!" I thought I was broke. Why does my jaw hurt?
To his orchestra Stop da music, stop da music! You're supposed to follow da music, not chase it all over da place.
We see a lot of startup companies, people that have a home-based office, they've been working out of their basement for two or three years, and now their basement or kids cannot accommodate them any longer.
Books everywhere. On the shelves and on the small space above the rows of books and all along the floor and under chairs, books that I have read, books that I have not read.
Once I get in my mind that it's going to go "da da da dadada da da," then it's kind of like filling in the blanks.
Everybody wants ta get inta da act!
I want to take time for myself, because all my life is ta-ta-ta-ta. So I don't want nothing special, just to breathe. I'd like to work maybe a half day and then take my bicycle and go by the riverside.
Don't put no constrictions on da people. Leave 'em ta hell alone.
Ever since I was 7 years old, I was writing. I remember being in the basement of my house, this dank, horrible basement, putting on plays with not-very-willing participants, and I would promise kids in the neighborhood that I'd play Nintendo 64 with them after we'd rehearse this stupid play that I wrote.
We have to discard the past / and, as one builds / floor by floor, window by window, / and the building rises, / so do we keep shedding - first, broken tiles, / then proud doors... and each new day / gleams / like an empty / plate.
There are some who when they play football they carry the ball ta-ta-ta, but they are jugglers not footballers. The less you have the ball at your feet the better.
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
We need more of the Office Desk and less of the Show Window in politics. Let men in office substitute the midnight oil for the limelight.
I'm sitting in the bus station, minding my own business, reading 'Ta-Da!' magazine; a magazine by and for gay magicians, but that's a different story.
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