A Quote by Mitch Hedberg
I hate arrows. They try to tell me which direction to go. It's like "I ain't going that way, line with two thirds of a triangle on the end!"
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I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story. So I think there's a middle ground that I try to strike... away from where everyone else seems ready to go, which is, setup, payoff. You know, He's afraid of water, oh, and at the end he's swimming in water - oh, my God. I hate that stuff.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.
The truth is that man is one individual with two aspects, just like one line with two ends. If you look at the ends, it is two. If you look at the line, it is one. One end of the line is limited, the other end of the line is unlimited. One end is man, the other end is God.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
If you like a story that's totally different and won't know which way it's going... where it's go ing to end up and which way it's going to take you, then I think my work fits the bill.
When I'm writing, I won't know whodunnit until maybe two thirds of the way through. Until then, I know as little as my detective. I just make it up as I go along. It's nerve-wracking, actually. You'll be half through and not know your conclusion. You worry one of these days the ending won't come. I'll be left with only two-thirds of a novel.
I can tell you that I like to take a character where everyone may have an idea of what it's supposed to look like and go in a completely different direction with it. I like to make it my own and make it very personal to me, which will end up probably looking completely different than someone else's take on it.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
I'm just confused. I can't read your signals. One moment you're hot, the next you're cold. You tell me you want me, you tell me you don't. If you picked one, that'd be fine, but you keep making me think one thing and then you end up going in a completely different direction. Not just now—all the time.
Love is made up of three unconditional properties in equal measure: 1. Acceptance 2. Understanding 3. Appreciation Remove any one of the three and the triangle falls apart. Which, by the way, is something highly inadvisable. Think about it — do you really want to live in a world of only two dimensions? So, for the love of a triangle, please keep love whole.
Each story, good and bad, short or long-from that trip to the mall when you saw Santa, to a long, bad illness-they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits.
It's funny when I look at my life; my primary school was two-thirds male to one-third female. So I started my life that way. I have two brothers. And when I did Harry Potter, the ratio was more often than not, at the very least, one-third female, two-thirds male.
I always go heavy and I always go to failure. Even when I tell myself I'm gonna go easy, once I get to the gym and start working, I never end up going easy. I hate leaving the floor feeling like I could have done more weight or more reps. I just love working out and going further than I ever did before.
I could go my whole life and say, 'I'm not going to do anything with a love triangle,' but whenever you have a romance, there has to be some obstacle, and even the dumbest romantic comedies have a love triangle or something.
I'm a husband and a dad. Two thirds of my day is spent being that character. It's a huge part of my identity and why I pursue things I do. I'm interested in questions my son asks me, like, "Why do animals fight? Why do you have to leave us to go on the road?" Everything he asks gets me thinking. If I'm going to do this, sacrifice time with family and friends, sacrifice resources, I need to think carefully about what I going to say and how I'm going to say it.
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