A Quote by Mitch Hedberg

I wanted to get a tape recorder, but I got a parrot instead. I think I did that joke backwards. — © Mitch Hedberg
I wanted to get a tape recorder, but I got a parrot instead. I think I did that joke backwards.
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
I wanted to be a broadcaster, sportscaster, or gameshow host from a very early age. I did my first broadcasting when I was 10 or 11 - into a tape recorder for my brother's football game, and for local events. A local radio station was experimenting with high school disc jockeys for rock and roll shifts - I applied - and got the job.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
I think it was, my parents got me a karaoke machine when I was about 9 years old. Even before that, they got me a tape recorder that I used to walk around my life with. And there was something about recording and then hearing myself back.
When I was a child, life felt so slow because all I wanted to do was get into show business. Each day seemed like a year, but when you get older, years pass like minutes. I wish there was a tape recorder where we could just slow our lives down.
I did the first 'Oxygene' on an 8 tracks tape recorder with very few instruments, with no other choice than being minimalist.
All she saw, down in the cellar well beneath the stoop, was a light yellow feather with a tip of green. And she had never named him. Had called him "my parrot" all these years. "My parrot." "Love you. "Love you." Did the dogs get him? Or did he get the message - that she said, "My parrot" and he said, "Love you," and she had never said it back or even taken the trouble to name him - and manage somehow to fly away on wings that had not soared for six years.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
I think there is an enormous diference between speaking and writing. One rereads what one writes. But one might read it slowly or quickly. In other words, you do not know how long you will have to spend deliberating over a sentence. ... But if I listen to a tape recorder, the listening time is determined by the speed at which the tape turns and not by my own needs.
I'm called an oral historian, which is something of a joke. Oral history was here long before the pen, long before Gutenberg and the printing press. The difference is I have a tape recorder in my hand.
If you can find a host for me that has a friendly parrot, I will be very very glad… DON'T buy a parrot figuring that it will be a fun surprise for me. To acquire a parrot is a major decision: it is likely to outlive you. If you don't know how to treat the parrot, it could be emotionally scarred and spend many decades feeling frightened and unhappy. If you buy a captured wild parrot, you will promote a cruel and devastating practice, and the parrot will be emotionally scarred before you get it. Meeting that sad animal is not an agreeable surprise.
[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
When I was five, my uncle bought us a tape recorder and my dad tried to record us kids talking and singing, stuff like that. There's really quite a lot of me in a really Welsh accent going, 'Can I tell a joke? Can I sing a song?' - really annoying and brattish.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
I think if you write humor, then people don't - you know - they don't give you that much credit. They tend to think you just dictate your stories into a tape recorder. And I'm not necessarily insulted by that, because I think that just means that it looks easy.
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