A Quote by Mitch Kapor

If you go back to the '50s and '60s... there was zero tech in S.F. It was all in the Valley... and it crept northward in early 2000s. — © Mitch Kapor
If you go back to the '50s and '60s... there was zero tech in S.F. It was all in the Valley... and it crept northward in early 2000s.
Half of the modern world goes back as far as Pearl Jam. The real historians go back to U2. But they need to go back further. They have to go back to the '50s and '60s, where things started. That's how you get to be your own personality, by studying the masters. Rock and roll was white kids trying to make black music and failing, gloriously!
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
I have seen a lifetime of transgender people and it was hard enough being gay in the '50s and early '60s. One couldn't imagine the cruelty that trans people had to face back then.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
In the 50s and early 60s, community was incredibly important to people.
We take a lot of inspiration from punk rock and early rock 'n' roll from the '50s and early '60s.
I love Silicon Valley, but there is a dominant voice of, 'Tech is cool. Tech is geeky. Tech is a guy with a hoodie.'
My father was an entomologist who believed in continental drift. In the early '50s, that was regarded as nonsense. It was in the mid-'50s that it came back. Someone had thought of it 30 or 40 years earlier named Alfred Wegener, and he never got to see it come back.
I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
Think back to the early rock n' roll records, and the average record length in the '50s - and well into the '60s - was two and a half minutes. It's very hard to put that much songwriting into two and a half minutes.
I had always been interested in politics. I had assumed - for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
I had always been interested in politics. I had assumed, for a variety of - well, for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
Once upon a time if you go back to the early 2000s all the way to 2014 all I cared about in life was being a wrestler, going on the road, performing in front of crowds, getting big, climbing the ladder.
My introduction to photography and a lot of how I developed aesthetically was through '50s and early-'60s fashion magazines like Harper's Bazaar and Vogue.
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