A Quote by Mitch Leigh
There's more musical freedom on Madison Avenue than anywhere else. It's an Eden for a composer.
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The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.
Whether it's New York or somewhere else, the metaphor of 'Avenue Q,' which is the place you live when you can't afford to live anywhere else - and we've all been through that in our journey. As I always say, at any moment I could be back on Avenue Q if I pick the wrong show.
Sometimes it seemed that the human heart, this side of Eden, feared life more than death, light more than darkness, freedom more than surrender.
I feel more voluntary about my pleasures and pains than the average American who has his needs dictated by Madison Avenue (my projections, of course). I feel sustained, excited, and constantly growing in my spiritual and intellectual pursuits.
There are certainly numberless women of fashion who consider it perfectly natural to go miles down Fifth Avenue, or Madison Avenue, yet for whom a voyage of half a dozen blocks to east or west would be an adventure, almost a dangerous impairment of good breeding.
Once you become more like Madison Avenue, you become acutely sensitive to what's going to annoy your clients.
Madison Avenue is afraid of the dark.
If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void.
As I've written before, China's ability to be the assembly line to the world wasn't where its role in the global economy ended; it was where it began. An ability to make products cheaper than anywhere else gave way to an ability to make high end products more nimbly than anywhere else.
There hasn't been anybody else write a Constitution like Madison. There just hasn't been, because that person hasn't existed anywhere but here.
The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. . . .
Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
What is self-image? Who started talking about one? I rather fancy it was Madison Avenue.
I used to know Madison Avenue advertisers. I didn't like 'em. Bunch of jerks.
Whether you are a low-income elderly woman living at the end of a dirt road in Vermont or a wealthy CEO living on Park Avenue, you get your mail six days a week. And you pay for this service at a cost far less than anywhere else in the industrialized world.
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