A Quote by Mitch Lucker
To be honest, we're really nervous right now. It's our third album, so it's gotta be our best and biggest.
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Obviously, this is our first album [Begin], so this is our first big body of work that's out there in the world and it really represents our journey, from where we started to now and all the music we created, our range, and all the things that we definitely shared, but weren't able to show our range on a full-scale until this album.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
By immersing ourselves with our consciousness in a supersensible world, we now learn a new kind of thinking, a new life of mental pictures, one that is not dependent on the nervous system in the way ordinary thinking is. We know that previously we have had to make use of our nervous system, but now we no longer need our brain.
For our third album, 'Love Frequency,' we've gone back to our old style. The album is full of songs that people can sing along to. They're songs full of hooks.
Our third album, 'Grown.' On that album, some of us had the opportunity to have hands-on experience into songwriting and production. The project itself taught the members how to create an album ourselves while grabbing guidance from the producers we worked with.
Our life is whatever we are encountering right now, and our practice is shikantaza, which is literally 'just sitting.' More broadly it means to put our energy into settling everything in our world here and now, where we really live.
We really can't go out and party every night like a lot of bands do - we have to keep our voices right for the show. It's a bummer, but you gotta do what you gotta do to live the dream.
With us, people caught on to something on our third album, and that will never be repeated. Basically, I don't really have any complaints about the way that Beach House has grown. I feel like we're still in control of what we're doing, and it's a great time in our existence.
We can only solve our biggest problems if we come together and embrace the freedoms that our Founding Fathers established right here in Philadelphia, which permitted our ancestors to create the great American exceptionalism that all of us now enjoy.
Karl Agell sang for our Blind album which was our second best selling record. He's a great guy and as a matter of fact, before Mike, Woody and I really got going on touring on the old Animosity stuff, Karl & I did about a dozen shows performing the Blind album from start to finish. He's still a good friend of mine and is now in a band called Lead Foot that's more Rock and Roll but they're fantastic, kind of Thin Lizzy or MC5 sounding.
At this early stage in our evolution, now through our infancy and into our childhood and then, with luck, our growing up, what our species needs most of all, right now, is simply a future.
Our biggest enemy is our own self-doubt. We really can achieve extraordinary things in our lives. But we sabotage our greatness because of our fear
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
If we really feel like we're comfortable in our own skins now, we have a longer period of time to live out that kind of third or fourth act of our life.
Our cultural industries are our biggest export, our biggest manufacturing base. Every pound spent on art education brings disproportionately large returns. It's the biggest bang for our buck. If it ain't broke, don't fix it. In fact, the more you put in, the greater the successes for the U.K. economy.
The first review our band ever got - when I was 17 years old and we had just released our first EP, and this tiny little magazine wrote a review on it, and for that month, we were the best album of the month, and we were also the worst album of the month. We won best and worst album of the month in the same magazine.
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