A Quote by Mitchell Hurwitz
I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.
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When the fans and players are united, the team is always much stronger so, when the fans really get behind us, it gives us a huge boost - and that's what we want.
It didn't really change my opinion about [Edward] Snowden all that much, but I definitely feel like as a culture, it gave us information that generated a responsibility to protect ourselves as much as we can and also a responsibility to hold our government accountable to honoring our constitutional rights.
I want someone to be able to say, 'I relate to this person on The Five.' You feel like you belong. You kind of feel like it's family. They feel like they know us because we reveal so much about ourselves on the show.
I want to be with you as much as possible, Ronnie. You're smart and funny and you're honest. I trust you. I trust us. Yeah, I'm leaving and you're going back home. But neither of those things changes the way I feel about you. And my feelings aren't going to change simply because I'm going to Vanderbilt. I love you more than I've ever loved anyone.
Vicodin, I got addicted to that little pill. The reason I don't talk about it too much in the press is because it isn't funny, and I love to be funny in interviews. If you joke about that period in your life, it doesn't seem right.
Science fiction fans are the smartest fans in television. They just are. They're just so smart, and they know so much detail and information. They're a part of the story and they inform your character, as well. We all listen to the fans, and we love their feedback and the attention they give us.
The most important part of my practice as an artist has been remembering to stay humble. There is so much hurt, so much sorrow, so much pain in the world, and I think when you're born and bred into privilege, it's easier to have a closed perspective on things. But there's this opportunity that's open to all of us to let empathy connect us back to one another.
Vicodin, I got addicted to that little pill. The reason I dont talk about it too much in the press is because it isnt funny, and I love to be funny in interviews. If you joke about that period in your life, it doesnt seem right.
'Big Day Out' is one of our favourite festivals, it's such an eclectic mix of so many different things and it's really about music - which is what a good festival should be about. The reaction from the fans in that part of the world rivals our greatest territories and the kids are always very rabid and very appreciative of us being there, so we're super excited to get back.
As recently as the '70s, people were forced to see information that they didn't agree with in newspapers and the like. Now there is so much information you really can build your own walled garden that just has the stuff that reinforces your view. I think it applies to all of us. People are really going into these separate camps, and that's the big social challenge in this age of too much information. How do we crack that and create a common dialogue?
The reason to forgive ourselves is not because we feel like it or because we want to see ourselves as blameless but because we limit what we can receive from God when we hold on to our past. He wants to do so much more than we could ever imagine. Forgiving yourself starts with believing in God's incredible love for you and accepting His amazing grace and mercy. If God Almighty can forgive us who are we to hold on to what He has not only forgiven but forgotten
A large part of parenting is about managing weariness and motivation. Much of the success of parenting is about avoiding the sins of "omission" as well as "commission." You can feed, clothe, and house your kids and not really parent them. When we raise kids for selfish reasons (to feel proud, to have people love us and appreciate us), if they disappoint us we'll pull back. But when we realize that God has called us to raise godly children and God is always worthy to be obeyed, we have a motivation that goes beyond our own pride and our own comfort.
However much we may feel for the misery of someone close to us, we always act with some artificiality in their presence. We hold-back from telling them everything we think, often because we do not genuinely mean what we say; or because we take a pleasure in their plight, thankful that we are not affected.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
It's hard for us not to be involved with things. When you have so much information and you see so much need, there's too much going on for us not to get involved.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
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