A Quote by Mitchell Hurwitz
I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
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I don't like rides. I take everything in life quite literally, and so I genuinely feel terrified on rides and liable to vomit at any moment, and I hate to vomit even more than I fear rides.
I had made a decision early on that we were going to do the right things and that if they worked we were going to be very successful. And if for some reason they didn't, all the claims and the protestations and the excuses wouldn't make any difference.
The sky was black with vultures, named Depression. They would land on the shoulders of a prisoner and vomit on him... Even worse than the vomit from the vultures was a repulsive slime that these demons were urinating and defecating upon the Christians which they rode... However, this slime made the Christians feel so much better... they easily believed that the demons were messengers of God, and they actually thought this slime was the anointing of the Holy Spirit.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
Pain? He could handle that, no problem; it was the idea that the female he loved was suffering that made him want to either punch something or vomit in the corner.
It never was my thinking that made the big money for me. It always was my sitting. Got that? My sitting tight! It is no trick at all to be right on the market. You always find lots of early bulls in bull markets and early bears in bear markets. I've known many men who were right at exactly the right time, and began buying or selling stocks when prices were at the very level which should show the greatest profit. And their experience invariably matched mine--that is, they made no real money out of it. Men who can both be right and sit tight are uncommon.
When meeting royalty, it is very important, no matter how excited you are, not to vomit on them. Instead, vomit on the nearest commoner.
I made a decision that to me, photography had to be something that I could feel. I could feel in my stomach. I could not take pictures that were not connected to my own inner life.
The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.
Here. (Zarek) What is it? (Astrid) Arsenic and vomit. (Zarek) Really? And yet you managed to hack that up so quietly. Who knew? Thanks. I’ve never had vomit before. I’m sure it’s extra special. (Astrid)
I kind of made the decision early on to be extremely open about everything and just pretend like all of these people watching were my close friends that I could tell stuff to and be honest with.
I don't want to be in a position that could make me vomit, like air travel. I've purloined airsick bags and stuffed them everywhere, just in case I ever feel the need to throw up. I haven't vomited since 1977, but I think about it all the time. I recognize that it's irrational, but I'd rather jump out of a window than vomit.
Mere opinions, in fact, were as likely to govern people's actions as hard evidence, and were subject to sudden reversals as hard evidence could never be. So the Galapagos Islands could be hell in one moment and heaven in the next, and Julius Caesar could be a statesman in one moment and a butcher in the next, and Ecuadorian paper money could be traded for food, shelter, and clothing in one moment and line the bottom of a birdcage in the next, and the universe could be created by God Almighty in one moment and by a big explosion in the next--and on and on.
I don't like rides. I take everything in life quite literally, and so I genuinely feel terrified on rides and liable to vomit at any moment, and I hate to vomit even more than I fear rides. So, all this to say, I don't have a favorite ride. I don't go on rides. Well, that's not true. A few years ago I had a beautiful, romantic moment on the Ferris wheel at Coney Island, known as the Wonder Wheel, and so I guess that's my favorite ride, though even that, to be frank, terrified me.
Shortridge High School was an elitist high school. In a way it was a scandal because you could go there no matter where you lived, if you could get there. It was for over-achievers. It was for people who were going to college. So we were very special and we were hated for being ritzy.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
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