A Quote by Mitchell Hurwitz

I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
My dad was always in sales. My mom had a heart for the ages. Worked in recreation, doing rehabilitation in nursing homes. Very nice, practical folks who were very proud of me but had no inclination toward the stage in any way.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
The colonel replied that he didn't care how my men had got the job done. He was happy that it had been accomplished. He said that, obviously, no matter how much or how little I knew technically, I was able to get the best out of people I worked with.
What has worked for America is not caring about how the rich are doing, or the politics of envy. What's worked for America is growth. Growth is the reason why I had a very nice middle class upbringing with parents who never went to college.
In the space shuttle program, where we had males and females, I can tell you that nobody was doing that [sex] because there's absolutely no privacy. The only privacy would have been in the air lock, but everybody would know what you were doing. You're not out there doing a spacewalk. There's no reason to be in there.
I am interested in all aspects of filmmaking, so I have an opinion on every aspect, so sound design, score, cinematography, editing - all that stuff I have experience doing myself, so I had a very strong idea of what I wanted, and I got, for the most part, people that were able to articulate that idea, which was nice.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
I don't want to take shots at professional actors, because obviously the great ones are great. But I do think that given the kind of stories I've been telling in my films, it's hard for me to imagine how professional actors would have done better. And it's easy for me to imagine how they would have done worse. Because I think a lot of what an actor is trained to do and a lot of what an actor's instincts point toward is clarification, is always making it clear what's happening in the story, how the character fits into the scene, what the character wants.
At one point, some years ago, a nice gentleman had it in mind to do 'Outlander' the musical. His idea was to start with a CD of what you call a song cycle, with a dozen high points of the projected show. It turned out very well, though we had to stop doing it when the TV show came along.
If I could give you information of my life it would be to show how a woman of very ordinary ability has been led by God in strange and unaccustomed paths to do in His service what He has done in her. And if I could tell you all, you would see how God has done all, and I nothing. I have worked hard, very hard, that is all; and I have never refused God anything.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
I've obviously made a very nice amount of money. I have a very nice lifestyle. I get to do what I love. Very few actors get to do that, and even fewer are lucky enough to work steadily for 24 years.
I think all of us in the pursuit of more perfect version of the truth and the story need to reckon with what we bring to the story, and I think that I'm confronting that in a very real way everyday. I'm extremely proud of who I am and it's nice to see it celebrated, but if someone were to ask me to list in order the biography, you know journalist comes first.
I always had trouble being proud of how they were using me in WCW. It was hard for me to be interested in what they were doing, and what they were doing with me was pretty pathetic.
I am only a physicist with nothing material to show for my labours. I have never even seen the ionosphere, although I have worked on the subject for thirty years. That does show how lucky people can be. If there had been no ionosphere I would not have been standing here this morning.
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