A Quote by Mitchell Zuckoff
I wanted to talk face-to-face with as many people as would see me. Some actors were so busy they could only give me an hour on the phone. But my feeling is that if you're actually in the room with them, they get comfortable and you get more.
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I would try to promote something that I loved, and the entire interview would be about my personal life. I would leave a room feeling defeated, feeling embarrassed, but I would always make sure to put that smile on my face because I wasn't going to let them get to me.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
We would never move forward in the face of negative emotion. There are many people who would teach you otherwise. They say, you've got to face fear to get over it. And all they do is desensitize themselves to the point that they get themselves into situations where they have no idea what's going on, and the end of them comes rather abruptly... And then everyone calls them brave.
I'm a busy guy; I just get a lot of people that sound like me to go out and visit them. They don't know the difference and, let's face it, they aren't going to be paying to see my movies anytime soon.
My falling in love with spoken word poetry definitely came out of that time period where all the adults around me were failing to supply me with any answers. Everyone was too busy dealing with things that were more important. I was pretty lost and invisible. And all of a sudden, this world opened up where I could get on stage and perform in front of my peers. People would listen to me and see me, and people would say, "That thing you created was important." And that was so validating and necessary at that specific moment.
I only read on my phone and the whole "let's see if we can get people to do it" idea seems less "wouldn't it be cool if we could get people to do it" and more "what else would people do."
The people on the QVC shopping channel convince me that life is worth living. They see the good in everything. People who go to counselling should actually go to a room with a QVC seller for half an hour and let them find the qualities within them. For example, they'd look at me and say, 'To anybody else this looks like a stomach but, actually, his feet never get wet in the rain.
I don't exclusively talk to people on social media; I don't meet people through Tinder. I try to keep it face-to-face, and to be aware if my phone is sucking me away from the rest of the world.
Ehlena: Look, the reason I called was -- Rehv: Because you needed an excuse. You shut me down in the exam room, but really wanted to talk to me. So you called me on the phone. And now you have me. (That voice dropped even lower) Do I get to pick what you do with me?
More people would recognise me in Kingston, but it's rare to go on the road and not get recognised by someone. The problem now is everyone has a camera in their pocket, on their cell phone - at the airport it's difficult to get from point A to point B without taking half an hour because there are so many people taking pictures.
I could only try to comfort the women that I came face-to-face with. I was really moved by how much they wanted to talk, how much they needed to be comforted, and how happy they were that we were there.
It's so gratifying to see people face to face who get to meet the people who are giving them a fair price for their work. They can now provide medical support for their kids, give them better education and in general have a better standard of living. God knows they deserve it.
Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more
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