A Quote by Mithila Palkar

I sing all the time, and my co-actors from theatre arena feel that my choice of songs and timing is bad - not that I pay heed, though. — © Mithila Palkar
I sing all the time, and my co-actors from theatre arena feel that my choice of songs and timing is bad - not that I pay heed, though.
I cannot sing the old songs Though well I know the tune, Familiar as a cradle-song With sleep-compelling croon; Yet though I'm filled with music, As choirs of summer birds, I cannot sing the old songs-- I do not know the words.
I am not interested to sing in Bollywood. I sing for only those actors whom I admire. I sing free of cost for them. I want to take independent music ahead, and my songs are completely based on my observations.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
I think there's that weird bastardization where musical theatre actors are treated as almost like vaudevillians or circus performers - that we're somehow not good actors because we sing and dance.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
It's so funny because I listen to songs that I recorded that I didn't really know anything about at the time. Later on I'm starting to feel the songs. Sing them first, feel them later.
I pay heed to all the criticisms about me. Paying heed to them is a sure way of improving. It is a learning experience.
Growing up as a singer, and a cast member, and now as an adult, a songwriter, I get the luxury of choosing the kinds of songs that I want to sing, because I'll write, you know, hundreds of songs. Even though only 12 appear on the album. That's 12 that I've chosen to sing of my catalog.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
I like to sing. I write music. Country songs. You have to if you're in Nashville. It's part of the lease. You sign a lease that says, I will write country songs and pay my rent on time.
I tried theatre. I played Miss Hannigan for a short run of Annie at a regional theatre. That was fun. I enjoyed it! I enjoy theatre and have so much respect for theatre actors.
I never quite understood these actors - though I envy them sometimes - who can lie out for a year or two. I feel as though time is a real pressing issue, and I want to get as much work done in the time that I have left.
Life for me has always been about timing, and it was bad timing for that disease to hit me; it was time to exit stage.
I used to sing Bill Monroe songs. And I'd sing Dennis Day songs like songs that he sang on the Jack Benny show.
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