A Quote by Mithila Palkar
I don't really overthink my characters. The camera comes on, and I am on.
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Twitter is my happy place. I am not there to overthink 140 characters.
If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
My favorite films left the camera rest, and the actors and characters have a stage to act. Move the camera when it's motivating.
I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
When I sit down and try to write lyrics first - I've definitely done that in the past - but most of the time, they come off as a put-on, or less genuine than you would think. I'm the kind of guy that if I overthink a sentiment or I overthink a statement, it's weird.
It is easy to overthink things, and I am good at that.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
I ride really bad when I overthink things.
I am really happy that even though I am stuck in the comedy genre I have not been typecast. I am still getting to experiment a lot with my characters, which is a boon.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
I overthink decisions when I should really trust my heart.
I call it an ensemble cast or the world of 'Gulabo Sitabo' which is about the lifestyle of my characters. I just go and sit there in a corner and observe these characters through my camera. That's how I shot the film.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
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