A Quote by Mitski
It's very tempting, when somebody says they like this about you, to want to do that over and over.
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It's important, therefore, to know who the real enemy is, and to know the function, the very serious function of racism, which is distraction. It keeps you from doing your work. It keeps you explaining over and over again, your reason for being. Somebody says you have no language and so you spend 20 years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Someone says you have no art so you dredge that up. Somebody says you have no kingdoms and so you dredge that up. None of that is necessary. There will always be one more thing.
For 25 or 30 years I never had an assignment. These were all stories I wanted to do myself. So they were always about somebody I like, 'cause if I didn't like him, I just didn't do the story. And to have somebody else paying the bills for this tourism, to every corner of every stage, over and over again? Why, who wouldn't want a job like that?
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
I actually have two hats in my office; one says "network," one says "studio." Paul Lee over at ABC sent those over to us and I find it very useful.
Sometimes I get the feeling that there are orgies going on all over new York City, and somebody says, `Let's call Desmond,' and somebody else says, 'Why bother? He's probably home reading the Encyclopedia Britannica.'
I like to think of my best moment on the job as quiet victories. Victories over what? Over the "system", over the various bureaucracies not watching me, over my colleagues' indifference, over my patron's ignorance, over the very concept of horn-blowing pride.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.
Josh pulls me aside. "Hey, About before, I just... I wanted to say ... well, I think you're pretty special." He says, kind of stumbling over the words a little. Like he's hesitant to say them, now i wish he'd hug me again. And then kiss me. But he doesn't. He just waves and walks off. I sigh. "Hannah, I just... I want you to know if I pause alot when I tell you how special you are I want you to think that I'm... very... very... deep," Finn says
It's very tempting to over-eat all the bad things when you're on a film set.
Anytime somebody shares a personal story with me during autograph signings and someone comes up to me and shakes my hand and says thank you and I'm just like, wow. The fact that I can have an influence over somebody; it is heartwarming, it is the goal.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
From my experience in my country, America over and over again takes itself right to the brink, it puts one foot over but it never goes over. It wakes up at the last minute and says woah, and then pulls back...
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
Maybe tonight you're scared of falling, and maybe there's somebody here or somewhere else you're thinking about, worrying over, fretting over, trying to figure out if you want to fall, or how and when you're gonna land, and i gotta tell you, friends, to stop thinking about the landing, because it's all about falling.
We're actually thinking about distributing 'Moon Over Broadway' on-line. It's tempting, because when you go to a major studio, it's sort of like a farm, you know? They make all the money, since it's kind of a buyer's market.
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