A Quote by Mitt Romney

I should tell my story. I'm also unemployed ... I'm networking. I have my sight on a particular job. — © Mitt Romney
I should tell my story. I'm also unemployed ... I'm networking. I have my sight on a particular job.
I think a story should take as long to tell as it is appropriate to that particular story.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do. When I tell the story of Cinderella, the sprite does not want me to make it into an allegory of the fall of communism. The sprite would be unhappy if I did that.
I think you tell the story that has to be told. You tell the story that's the truth. You tell the story that readers will be interested in and should know about.
The big nut to crack is to how to tell a story, what’s the right way to tell a particular story.
So the good news is, if you're unemployed and you go to apply for a job and you're not hired for that job, see a lawyer - you may be able to file for a claim because you were discriminated against because you were unemployed.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
The best way to honor real people when you play them is to try to tell the story of their dynamics and the struggles that they're dealing with rather than lose sight of the connections and personal relationships, and do a really good job at an accent.
Memoirists, unlike fiction writers, do not really want to 'tell a story.' They want to tell it all - the all of personal experience, of consciousness itself. That includes a story, but also the whole expanding universe of sensation and thought ... Memoirists wish to tell their mind. Not their story.
When I was a junior camp counselor and it was my job to tell the campers a bedtime story or devotional, I would tell them a rapture story.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do.
I no longer say I'm unemployed. I say I'm unemployable. It's different. An unemployed suggests at a certain point in the future, you might be employed. That's not the case with me. I'm unemployable, and unfortunately, that's one of the bits of the web, in particular of Google.
Theatre is the principal job of an actor. An actor's job is to tell a story to someone in a room. TV and film can be great and I really love doing it, but it is a different way of telling a story.
I think you can't go into any story-breaking process thinking, 'What if they come off as unlikeable?' You just gotta break the story because if you know who your character is, the story will tell you. The story will dictate and say, "This feels off-kilter for this particular person."
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
In the end, this is a difficult story to sum up. The making of the atomic bomb is one of history's most amazing examples of teamwork and genius and poise under pressure. But it's also the story of how humans created a weapon capable of wiping our species off the planet. It's a story with no end in sight. And, like it or not, you're in it.
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