A Quote by Mitt Romney
Woody Allen said that 95% of history is explained as a man trying to impress a woman. And that's true in my life.
Related Quotes
Woody Allen, that was a dream come true, although I never really talked to him. Auditioning was fun, because you don't really hear much about the script. They just said, "They want a Woody Allen type," so of course I got the call.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
In politics, the definition of a real man is different from, I would say, outside Washington or outside the establishment. I don't think that's even arguable. But human nature is what it is, and men (straight men) want women. And it's always a challenge. It's never a piece of cake. You're rejected. You know Woody Allen? One funny thing he really said. Somebody said, "Woody, what has success meant?" He said, "It means being rejected by a higher class of woman." Life is filled with rejection. Men - nobody - women, they don't like rejection.
[In] 2010, Woody Allen said that he felt Barack Obama should be a dictator so that he could get things done, and the first thing obviously that Woody Allen wanted done is to make it legal to have sex with stepdaughters.
In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director.
I'm a writer and director, and the movie I've seen a million times is 'Stardust Memories' by Woody Allen, starring Woody Allen and Charlotte Rampling.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
I don't really believe in trying to erase every Woody Allen movie from history. For one thing, that's kind of unfair to all the people who worked on those movies or albums or whatever it is. What did they do wrong to have their work erased from culture?
From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.
I definitely have a little Woody Allen inside of me. That is true.
Working with different people anyway is like life and meeting different people... as long as you can be empathetic, you can take a bit of them on and see what you can do to help their process. That said, my relationship with Woody Allen was trying to hang on his every word so that I could tell everybody what he said afterwards. But certainly, he was a very good example of somebody who you didn't hear talk above a very low volume for the entire time he was on-set.
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