A Quote by Mitzi Gaynor
Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
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Love is like a lighthouse, a beacon in the dark. When you lose the path that lights your way, you feel that you have died, but I assure you, you have not. You are reaching out for help or you would not have found this page. So red these quotations, allow yourself to feel your pain and cry out your loss and anguish. As you let it go, you will find the strength and courage to put your relationship in perspective and move on.
I needed more stuff that glowed so when the lights went out, you could actually see me the whole time. So I slowly built it from there. I wanted everything to glow. I want my hair to glow, I want my nails to glow, I want my eyes to glow, I want my lips to glow, you know?
You've got to give an audience something to root for. The minute you get into more dystopian shows, where everything's really dark, and no one has any hope, and there's no positive goal we're working toward, it's a bummer. You run out of gas with them. Because you need to know, 'What am I in this for? What am I rooting for?'
Storytelling enables us to play out decisions before we make them, to plan routes before we take them, to work out the campaign before we start the war, to rehearse the phrases we're going to use to please or placate our wives and husbands.
If you see really bright lights, or hear really loud noises, go towards them, don't run away from anything. It's like giving someone instructions on how to handle a bear, don't run away from it. Stand up and try to make yourself look as big as possible. Don't give it the signal that it should chase you. And that's the case with the after death visions. Don't go for dark seductive lights, go only for bright lights.
Even if they're not reaching out to us, we're going to reach out to them anyway and involve them in a meaningful way. Because if we don't, we will fail to learn the lesson of a generation before us, that reached out for us and never let us go.
We all know Sen. Feinstein is out of touch, but just to make it worse, by not embracing today's technology, she isn't even connected. Out of touch and disconnected.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
I feel like everything's got to be neat and everything's got to be right before I put on my performance, so I brush my hair.
Today, you'll have a following for a film before it even hits theaters. We can reach out and touch our audience in ways that they couldn't. So it's about getting eyes, getting interest, and getting people involved.
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
If you were charged with fixing the U.S. auto industry, how would you do it?
The guys who run the auto companies are out of touch with their customers and their employees. They ride to work in their limousines. They go up in their elevators and lock themselves in their offices. They don't walk out into the plants. They wouldn't even drive in the neighborhoods where their employees live. They give themselves big bonuses when the company isn't making any money. I'd make them get involved with the people who are building the cars. They've got to become real people.
I really like reaching out and seeing the audience - they're potential audiences! And on occasion I can make them excited about going to the theater again, if they've ceased or gone less.
I like to read in the dark. I like to go into the bathtub, turn out all the lights, and in the dark, read my books.
In my vast experience, I've found it always wiser to go along with female advice... First, you make them happy by doing what they tell you. That's the main thing. Let them think they're in control. They love it. Then, if it turns out they were right, everything's cool. If it turns out they were wrong... then you have the pleasure of basking in the glow of superiority.
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