A Quote by Miyamoto Musashi
A man cannot understand the art he is studying if he only looks for the end result without taking the time to delve deeply into the reasoning of the study.
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A mediocre man copying nature will never produce a work of art, because he really looks without seeing, and though he may have noted each detail minutely, the result will be flat and without character... the artist on the contrary, sees; that is to say, his eye, grafted on his heart, reads deeply into the bosom of nature.
To be worthy of the name, an experimenter must be at once theorist and practitioner. While he must completely master the art of establishing experimental facts, which are the materials of science, he must also clearly understand the scientific principles which guide his reasoning through the varied experimental study of natural phenomena. We cannot separate these two things: head and hand. An able hand, without a head to direct it, is a blind tool; the head is powerless without its executive hand.
Taking a step without knowing the end result is the only way we develop faith and not only this, it's a practice that connects us with a power greater than ourselves.
One of the tragedies of our day is that too many boys are growing up without guidance of a father, or another man, to show them what it looks like to do away with that boyhood stuff. As a result, they often move into adolescence and then adulthood looking like men but still speaking, reasoning, and behaving like boys.
I didn't study no rappers when I was coming up. I was studying moguls. I was studying Jay Z. I was studying Puff. I was studying Master P.
With my children, balance was everything: being not just a workaholic, not only studying but taking time to renew and restore yourself and taking time to pay attention to your brain health and not assume, as we all do, that our brains are perfect.
If he desired to know about automobiles, he would, without question, study diligently about automobiles. If his wife desired to be a gourmet cook, she'd certainly study the art of cooking, perhaps even attending a cooking class. Yet, it never seems as obvious to him that if he wants to live in love, he must spend at least as much time as the auto mechanic or the gourmet in studying love.
If you study Japanese art you see a man who is undoubtedly wise, philosophic and intelligent, who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass. But this blade of grass leads him to draw every plant and then the seasons, the wide aspects of the countryside, then animals, then the human figure. So he passes his life, and life is too short to do the whole.
When I wrestled, I would set aside the time to wrestle, so that in my mind it didn't interfere with my study time. If I'd say, "I'm going to study this many hours, then I'm going to go work out and wrestle," then when that time comes, you don't feel like you should be doing something else. That helped me psychologically. But otherwise? When I'm wrestling, I'm not studying the universe. And when I'm studying the universe, I'm not wrestling.
You should carefully study the Art of Reasoning, as it is what most people are very deficient in, and I know few things more disagreeable than to argue, or even converse with a man who has no idea of inductive and deductive philosophy.
The deep paradox uncovered by AI research: the only way to deal efficiently with very complex problems is to move away from pure logic.... Most of the time, reaching the right decision requires little reasoning.... Expert systems are, thus, not about reasoning: they are about knowing.... Reasoning takes time, so we try to do it as seldom as possible. Instead we store the results of our reasoning for later reference.
You can teach people specific reasoning, such as how to fly a kite or build a wheel. General reasoning cannot be imparted upon people, particularly if they like things the way they are - meaning, if their reactions are very simple. The reason most people behave badly or poorly is because they only understand simple things.
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes.
Buddhism advises you not to implant feelings that you don’t really have or avoid feelings that you do have. If you are miserable you are miserable; that is the reality, that is what is happening, so confront that. Look it square in the eye without flinching. When you are having a bad time, examine that experience, observe it mindfully, study the phenomenon and learn its mechanics. The way out of a trap is to study the trap itself, learn how it is built. You do this by taking the thing apart piece by piece. The trap can’t trap you if it has been taken to pieces. The result is freedom.
In the early 21st century, it is easy to condemn the Bond books for being racist and imperialist, sexist and misogynist, elitist and sadistic. But this is merely another way of saying that we cannot understand the Bond books without reference to the personality, the outlook and the 'Tory imagination' of the man who wrote them, and to the time in which he wrote them; and that we cannot understand the 1950s and 1960s without some reference to them, and to him.
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