A Quote by Mj Rodriguez
When I started 'Rent,' I already had an idea of how I was going to portray Angel, simply because of who I was at that moment. Everyone always perceived her as a drag queen, but the reality of the matter is that I truly believe she was a trans woman.
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When I walked in on 'Drag Race' and saw Katya, I had no idea she was gonna be funny, because she was stunning. She had this perfect red lip, I remember looking into her eyes and being like, 'This is a woman!' Then she was really funny. She kind of presents normal, and it's a one-two punch with the comedy.
Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Abra DeMadrigal didn't look young enough to be my sister anymore. Her sorrow weighed her down and aged her. She was still beautiful, but she looked very far away. No wonder our people had raven eyes, so distant, so sad. No matter how wise she was, my mother looked like a woman who hadn't truely believed how much evil there was in our world. Not until this moment.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
She wanted an Angel of Music . . . an angel who would make her believe in herself at last. I'd been the Angel of Doom for the khanum. There was no reason in the world why I could not be the Angel of Music for Christine. I couldn't hope to be a man to her, I couldn't ever be a real, breathing, living man waking at her side and reaching out for her . . . But I could be her angel' -Erik
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
I met Gemma, my wife, when she was 12. She had a schoolgirl crush on me and her dad had arranged for her to meet me. Later, she started coming to my concerts, but I only got to know her well after her mother died. I rang to see how she was, and that's how it started.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
She always had to have someone to love...She couldn't seem to believe that anyone could really love her. She always thought it was because she was a star, not just because of her herself, and she always had to be reassured.
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
When I came up with the Alexa Bliss character, I wanted to be the girl that everyone knew. There was always that girl in high school who was mean to everybody. She was mean and rude, but everyone still voted for her to be homecoming queen. That girl. And I wanted to portray that girl.
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
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