A Quote by Mj Rodriguez

There's a lot of hope and comfort and nurturing in the ballroom scene. — © Mj Rodriguez
There's a lot of hope and comfort and nurturing in the ballroom scene.
I have so many ways I can explain the ballroom scene. But the essence of the ballroom scene would be elegance, extravagance, and fabulousness to its 100 per cent. It's a place where you can be whoever you want to be inside of already being who you are.
I started out in the ballroom scene when I was fourteen years old.
I may be able to concentrate on a move, but it may not look exactly how I need it to look like, as far as in the ballroom world. Hip-hop is different; it is a lot more flowy with ballroom.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
There's so much you can say about the ballroom scene. But, simply, it's just a way of life. It's a place you can live out a fantasy you never lived before.
It's great that ballroom dancing is being recognised. For many years ballroom dancers were misunderstood and other dance forms didn't want anything to do with us.
We should expect hope's reciprocity as a natural flowering of the life of hope. Helping others and nurturing hope is expressive of hopefulness itself. It is an extension of the hopeful self to reach out to others, promoting the connection of agency and the enrichment of horizons of meaning. Hope's reciprocity grows out of the very social nature of hope; we thus frequently see it live in family relations, in intimacy, in love. And so hope spreads. This spreading should not surprise us; like love, it is freely given, fostered, and nurtured.
It helps parents to feel better if we remind them of our failures with them! And how they turned out just fine despite our imperfections.... We never get over needing nurturing parents. The more we comfort our own adult children, the more they can comfort our grandchildren.
At school people found it quite funny that I did ballroom, but I recently went to my school reunion and all they wanted to talk about was ballroom and 'Strictly.'
We love comfort, and people make a lot of money selling us comfort, but I would challenge the notion that comfort is usually good for us.
Acting is a lot of waiting to be picked, and I like to do a lot of things at once. I think I will have to find things that are totally mine. I have so much comfort that school and my academic life are totally mine. I hope that there's not a lot of idleness in my future.
Hope is like air if not built on a fertile ground. A ground that requires attention and nurturing. You cannot stop working on that ground even if the hope is sprouting higher into the sky.
The original 'Artist's Way' focused on the nurturing of the self. The 'Artist's Way for Parents' focuses both on nurturing the self and nurturing the children in our care.
Everything is important, but there is a weight to these big or expected things and then there is the logistics of them and it's trying to find, while you worry about for instance the ballroom scene, how do you get 500 people to go to the loo in corsets and don't cost you an hour and how do you remember while you're organizing all that to take a breath and say, 'Well the scene is about all of that and it's about Prince hand on the small of Cinderella back as well' and we need time to do that properly as well.
I want to share some insight into why someone would want to be a SEAL. A lot of us faced obstacles growing up. I didn't have any type of real nurturing as a kid. I hope people will relate to my story and go, 'Hey, if this guy can do it, so can I.'
I want to share some insight into why someone would want to be a SEAL. A lot of us faced obstacles growing up. I didn't have any type of real nurturing as a kid. I hope people will relate to my story and go, 'Hey, if this guy can do it, so can I.
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