A Quote by MNEK
I had to have experience, you know what I mean? Because I've been doing this since I was 14... I couldn't write about anything at 14. I had to live some life. I definitely lived some life.
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It's true - my mother kicked me out the house at 14. I had to go live with my sister. I had some problems. I was very rebellious as a kid. I don't even know why or where it came from, but I had a lot of anger. Me and my mom clashed a lot because she didn't tolerate that, as she shouldn't from a 14-year-old.
I've been in the business since I was 16, so I've had a 14-year career. I've always had acting in my blood. Doing this, whatever it is, was something I was drawn to since my earliest memories. Ironically, I lived in Hollywood, but never understood that all it took was getting an agent and being persistent.
I am YOUR biggest fan, I love each one of you because of the support that you took to me. I know that people been saying that I do this for money, but I really don't. I do this for YOU, for your loyalty, for everything you've done, you are doing and you'll do in my life. Music has been my whole life since I was 4 years old, but you turned it into a whole experience of happiness. I know that I am not perfect, and maybe I don't worth it to put on your headphones and listen to this 14-years-old wannabe, full of ego and that brag about almost everything, but it's not about that, it's about you
If I was 14 and knew some gay people, I wouldn't nearly have had the struggle I had. Our world is definitely changing.
My feelings of revulsion and foreboding about nuclear weapons had not changed an iota since 1945, and they have never left me. Since I was 14, the overriding objective of my life has been to prevent the occurrence of nuclear war.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
I know this is insane, but i somehow wish i had been in auschwitz with my parents so i could really know what they lived through! I guess it's some kind of guilt about having had an easier life than they did.
I had often thought that if I managed to live through the war I wouldn't expect too much of life. How could one resent disappointment in love if life itself was continuously in doubt? Since Belgorod, terror had overturned all my preconceptions, and the pace of life had been so intense one no longer knew what elements of ordinary life to abandon in order to maintain some semblance of balance. I was still unresigned to the idea of death, but I had already sworn to myself during moments of intense fear that I would exchange anything - fortune, love, even a limb - if I could simply survive.
The first album, I'd had some input, but I was 14 years old then, and I really didn't know what I was talking about.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
When you've had a chance to live some experiences then you can really write, and not having lived that much when I was young I didn't have much to write about. Now having seen life, the songs seem to come easier.
My life was made easy - I lived in a village, and by writing for some newspapers and magazines, had enough to live on. I was happy to be there and write.
What I had been taught all my life was not true: experience is not the best teacher! Some people learn and grow as a result of their experience; some people don't. Everybody has some kind of experience. It's what you do with that experience that matters.
Since the passing of Victoria the Great there had been an accumulating uneasiness in the national life. It was as if some compact and dignified paper-weight had been lifted from people's ideas, and as if at once they had begun to blow about anyhow.
When I was 13, 14, 15, I had played in a couple of jazz ensembles. I didn't know anything about harmony, about II-V-I, though I had learned my scales with Caesar [DiMauro].
It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
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