A Quote by MNEK

'Correct' is a song and an exercise for me where I've been able to reclaim who I am and the good that I've done when in real life sometimes I struggle with that. — © MNEK
'Correct' is a song and an exercise for me where I've been able to reclaim who I am and the good that I've done when in real life sometimes I struggle with that.
It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.
One of the things that has been the most beneficial for me in real life is that I've been able to really become stronger physically, and so I try to get to the gym at least - while I'm working, it's hard sometimes.
On screen I am the same as I am in real life. I have done almost everything, be it acting, dancing or anchoring. I am a good combination - I can talk well, have a good face and a body and can also dance.
There has been a struggle to reclaim the African self. That struggle has been on the part of a minority of dedicated African-Americans who never gave up our African identity at no time during our stay here.
'Soulfire' is a collection of stuff I've done in the past. Each song is an element of who I am: There's a doo-wop song on the album; a blues song, R&B and some jazz. For people who are going to be hearing me for the first time, it's an introduction to who I am.
Oh, God, food is a constant struggle for me. With exercise, I get my workout done, and I'm done until tomorrow. With food, I eat, and then an hour later I'm hungry again!
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
My faith in God is everything at this point. Also, my family and friends that I've had around me pretty much my whole life and my boyfriend, we've been together for eight years. I try to keep people around me who've been around me, who've seen me struggle. They know how dedicated I am and how hard I've worked. They know me - not the Jennifer from American Idol and Dreamgirls, but the real Jennifer.
It's hard for me to talk about Dom right now because I am Dom right now. So it's a really strange exercise to try to reflect on something that I am at the moment. But I guarantee you that when I'm done with the movie and you ask me that question, I'll be able to give you something insightful.
I am just a journeyman actor. Most often I take what's offered me, and I've been able to work year after year. I was in 'Scarface.' Some people think this must have done me a world of good. Truth to tell, six months after 'Scarface' I had to take a job with a real estate development friend for a few months just to get by.
The perks of a new government are not really appealing to me. Everybody would like to have a good job, a good salary.....but for me that is not the all of struggle. What is important is the continuation of the struggle... the real problems of the country are not whether one is in Cabinet ...but what we do for social upliftment of the working masses of our country.
When someone tells me what he or she was doing the first time they heard a song of mine, then I've done a good job. If my song becomes about your life, then I'm successful.
I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.
I am done being polite. I am done being politically correct. I am mad as hell, so I am asking the members of the press to send a mayday call all over the world.
We all do role-play. Sometimes behind the camera, and sometimes in front of it. I am the few lucky ones who have been able to wear both hats and especially have been able to romance the camera in a believable way, and I hope that this romance between us never ends.
Sometimes, from outside, and from America especially, where the racial tension is so intense, you tend to understand Brazil as a kind of ideal situation, but it's not. There are a lot of problems. Historically, we have been in struggle, in real struggle to protect and defend the natural leaning towards absorbing the African and the Indian heritage that our society has.
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