A Quote by MNEK

Some of white middle America haven't seen a black gay guy in a music video before. — © MNEK
Some of white middle America haven't seen a black gay guy in a music video before.
When I first got to Los Angeles, hip-hop music was a scary thing not only to white America but to middle-class black America.
The first thing that always pops into my head regarding our president, is that all of the people who are setting up this barrier for him... They just conveniently forget that Barack had a mama, and she was white - very white; American, Kansas, middle of America. There is no argument about who he is, or what he is. America's first black president hasn't arisen yet. He's not America's first black president. He's America's first mixed-race president.
White America is tortured by black America's failure to thrive, and all that guilt and anxiety has only gotten worse as a substantial quota of white America loses its own footing in the middle class and plunges into the rough country of joblessness, hopelessness, and government dependency.
I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.
America wasn't interested in the roots of house music because it was too black, it was too gay, it was all these things, and today it's made very sanitized and white.
Different identity groups hold specific levels of power over others when their battles play out in the media. To wit: Black beats white. Gay beats white. Black beats gay.
There's a very big gulf between the black civil rights leadership in America and the black middle class in America. The black middle class are conservative. Many of those minorities can be persuaded to be members of the Republican Party.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes.
When people nowadays say that Elvis was the first white guy to sound black, I have to shake my head; what can you do? At the time of 'That's My Desire' 1947 they were saying that I was the only white guy around who sounded black.
Everything is symbolic. If they'd picked some middle-aged white guy, well, that would have been a symbol, but it wouldn't have been shocking because that's the expected norm, right? I felt I was a good match: here's an accomplished poet, and he's also gay and Latino.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
I turned a lot of people in white America - and not just white America, but middle-class America - into hip-hoppers, you know?
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
There was such hostility to the idea of a banjo being a black instrument. It was co-opted by this white supremacist notion that old-time music was the inheritance of white America.
In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.
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